Musica, pensiero, interpretazione. Toscanini tra Puccini e Furtwangler
A cura di Alessandro Avallone e Simone Di Crescenzo
edited by Alessandro Avallone and Simone Di Crescenzo
This volume offers a critical overview of three emblematic figures of European music culture between the 19th and 20th centuries: the opera composer Giacomo Puccini, whose beginnings and the historical context of his formation are investigated, and two conductors, Arturo Toscanini and Wilhelm Furtwangler, whose interpretative thinking is explored. Starting with a reconstruction of the historical, social and artistic landscape in which Puccini took his first steps, the volume then focuses on the interpretation of some important pages of the symphonic and operatic repertoire by the two conductors. The underlying motif of the volume is the compositional thought present in each musical work, and the different interpretative strategies implemented to grasp its profound essence.
- Edited by Alessandro Avallone
- Edited by Simone Di Crescenzo
Similar Books
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Judische Musikerziehung im Preussen des 19. Jahrhunderts
Gesangunterricht an judischen Reformschulen als Facette burgerlicher Akkulturation
Volume 21
Künstlervertragsmodelle in der Musikwirtschaft
Rechtliche Grenzen der künstlerbezogenen Nebenrechteverwertung im Erlös-, Vermittlungs-, Options- und Leistungsmodell
fatastici dei traslati di proprieta dei beni stabili
The land registers of Venetian Candia (1588-1605, 1621-1645)
Volume 11
L’amore, le armi, le stelle
Basinio da Parma and the Humanists at Sigismondo Malatesta's Court
Volume 6
La scultura preromana in area centro-italica
Problemi archeologici, tecnologici ed epigrafici del terzo millennio
Luigi Dallapiccola between Politics, Text and Musical Thought
With an Appendix of New Sources
Volume 11
Of Signs and Sounds
Musical Interpretation and Performance from the 19th to the 21st Century
Volume 58
