La Revue des lettres modernes
Malraux et l'art
edited by Walter G. Langlois
Malraux’s aesthetic thought is brought to bear on Focillon and the life of forms, on Jung and depth psychology, and on Picasso and the refusal of appearances and the concept of metamorphosis. This text demonstrates how the aesthetic image in L’Espoir has multiple uses.
Malraux’s aesthetic thought is brought to bear on Focillon and the life of forms, on Jung and depth psychology, and on Picasso and the refusal of appearances and the concept of metamorphosis. This text demonstrates how the aesthetic image in L’Espoir has multiple uses.
- Edited by Walter G Langlois
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