La Coupe de sainte Agnès
(France - Espagne - Angleterre)
By (author) N. Stratford
In 1892 The British Museum acquired one of the great French masterpieces of the 14th century, the Saint Agnes Cry, known as The Royal Gold Cup. This massive enamelled gold cup, destined for great feasts, is recorded since 1391 when it was given by the great patron of the arts, Jean duc de Berry, to his nephew, Charles VI. Probably intended as a gift for his elder brother, Charles V, who was born on Saint Agnes’ day, the exquisite decoration of the cup, of unrivalled beauty, presents a sequence of scenes from the life and martyrdom of Saint Agnes. The cup’s history is extraordinary, first at the royal court of France in the time of the Valois, then in the royal treasury of England in the 15th and 16th centuries, given by James I to the Duke of Frias, it travelled with him to Spain where he gave it in 1610 to the Poor Clares of Medina de Pomar. Returned to Paris in 1883, it was rejected by the great collectors of the time as a fake but was bought by the baron Pichon. Finally its travels ended in London, where it is today.
- By (author) N. Stratford
Other Titles in this Series
Similar Books
A Late Antique Harrowing of Hell and Its Medieval Reception
Eusebius of Alexandria's Sermons 15 and 17 (CPG 5524; 5526) and their Latin Rewritings
Volume 99
Behind the Scenes of Medieval Roofs
An Overview of the Roofing Systems of Italian Churches
Volume 90
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Tradition, Interpretation, and Change
Developments in the Liturgy of Medieval and Early Modern Ashkenaz
