La Cappella musicale di Santa Maria del Fiore e le sue fonti. La polifonia rinascimentale e barocca, il repertorio sette-ottocentesco

An Overview of the Roofing Systems of Italian Churches

Volume 90

Edited by Angelo Passuello Edited by Michalis Olympios

Everyday Philosophy in a TV Spy Comedy

By (author) Kelly Dean Jolley

Anita O'Day and Her Dangerous Jazz Life

By (author) James Gavin

Italian Children’s Literature in Poland, 1945–1989

By (author) Katarzyna Biernacka-Licznar

Volume 59

Edited by Florence Gétreau

Reconstructing Queen Amanishakheto’s Auloi

Edited by Susanne Gänsicke Edited by Stefan Hagel

Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei

edited by Elisabeth Oy-Marra and Heiko Damm

The Barberini Court in Rome 1628–1656

By (author) Leila Zammar

Alberti's Holy Sepulchre in the Context of Quattrocento Florence

Edited by Giovanni Serafini Edited by Timothy Verdon

Knowledge, Gesture, and Identity

Volume 2

Edited by Marcello Mazzetti

The Invention of a Monster

By (author) Derek Hughes

Deep Purple and Metal Studies

Edited by Andy Brown

Versuch einer Annaherung

by Uwe Schutte

Gesangunterricht an jüdischen Reformschulen als Facette bürgerlicher Akkulturation

Volume 21

By (author) Rudolf W. Haidu

Rechtliche Grenzen der künstlerbezogenen Nebenrechteverwertung im Erlös-, Vermittlungs-, Options- und Leistungsmodell

By (author) Diana Spikowius

Studi storici di letteratura italiana

Edited by Maurizio Campanelli Edited by Giuseppe Crimi Edited by Maurizio Fiorilla Edited by Emilio…

Farces, sotties et autres spectacles XVe -XVIe siècles

By (author) Jelle Koopmans

Journal of Speleology in Artificial Cavities

Edited by Massimo Mancini

Edited by Francesco Lucioli

Il giurista tra filologia, storia antica e fascismo (1914-1956) - Tomo I

Edited by Francesca Aiello Edited by Atonella Amico Edited by Simona Inserra Edited by Orazio…

Theater / Drama / Theatertext und Klimakrise

Volume 5

Volume editor Andreas Englhart Volume editor Artur Pelka Volume editor Hannah von Sass

British Imperial Conflict on Screen

Edited by Ian F. W. Beckett

The Overlooked History of a Drawing, Printing and Writing Material 1400-1600

By (author) Thea Burns

Volume 2

edited by Livio Marcaletti, Andrea Lindmayr-Brandl and Thomas Seedorf

Music, Sound Technologies, War and Power in the Era of Fascisms

Volume 126

Volume editor Christian Koller Volume editor Steffen Just Volume editor Diego Alonso Tomas

From the Pleasure Garden to the Discotheque

By (author) Bruce Lindsay

Dartington Hall and its Dancers

By (author) Larraine Nicholas

From the Classical Antiquity to the Renaissance

Volume 3

Edited by Marcello Mazzetti Edited by Livio Ticli

New Essays in Theory and Practice

Contributions by Alexander Carpenter Contributions by Walter Kreyszig Contributions by Linda Kline Contributions by Viktoriia…

Ways that Embodiment Shapes Performance and Reception

Volume 1

edited by Arnie Cox

History, Context and Meanings

Volume 56

Edited by Charles Edward McGuire

The land registers of Venetian Candia (1588-1605, 1621-1645)

Volume 11

By (author) Emma Maglio

The Rediscovery of a Film Pioneer

By (author) Deac Rossell By (author) Barry Anthony By (author) Peter Domankiewicz

Building a Personal Canon, Part 1

by Brad Mehldau

Contemporary Perspectives

edited by Joao Pedro d'Alvarenga, Manuel Pedro Ferreira and Alberto Medina de Seica

Volume 55

Edited by Mark Everist Edited by Jennifer Walker

Volume 8

Edited by Karen M. Cook Edited by William Bibbons Edited by Fanny Rebillard

Spectacle and the Quest for Peace in the Early Modern Period

By (author) Margaret M. McGowan

Basinio da Parma and the Humanists at Sigismondo Malatesta's Court

Volume 6

Edited by Gabriella Chisena Edited by Federica Rossetti Edited by Simon Smets

With an Appendix of New Sources

Volume 11

Edited by Roberto Illiano

From the Fascist Era to the Digital Age

Volume 12

Edited by James Garratt

By (author) Mike Adcock Foreword by Evelyn Glennie