Gut schreiben uber neue Kunst
by Angeli Janhsen
Paperback (Published)
(October 2019)
ISBN: 9783496016250
5.31 x 8.03 inches
Price: $27.00
In stock
English summary: New art needs mediation. Authors of texts on new art, be it academic papers or catalogue and exhibition texts, are faced with great challenges-which they should face with self-confidence. What is actually necessary and possible with new art, unlike with old art? How can one’s own writing be improved? Minimal, action, or concept art function differently from traditional art. Therefore, they cannot be easily understood and described with the methods learned from older art. Angeli Janhsen presents the characteristics of new art from about 1800 onwards and shows how good writing can be accomplished. With practical considerations, this guidebook helps people to accept writing difficulties and to name their own goals whether it is writing a term paper, an article, a catalogue text or an exhibition review. In this way, readers are encouraged to recognize the unforeseen and specific aspects of new art and to describe them precisely. German description: Minimal Art, Aktions- oder Konzeptkunst funktionieren anders als traditionelle Kunst. Daher sind sie mit den Methoden, die man anhand der alteren Kunst erlernt hat, nicht ohne weiteres zu verstehen und zu beschreiben. Angeli Janhsen stellt die Besonderheiten der neuen Kunst ab ca. 1800 vor und zeigt, wie heute uberhaupt gut uber sie geschrieben werden kann. Mit praxisnahen Uberlegungen hilft der Ratgeber dabei, Schreibschwierigkeiten anzunehmen und eigene Ziele zu benennen – egal ob es um das Verfassen einer Hausarbeit, eines Referats, eines Katalogtextes oder einer Ausstellungsbesprechung geht. So werden die Leser_innen dazu angeregt, das Unvorhergesehene und Besondere an neuer Kunst zu erkennen und selbst prazise zu beschreiben.
- By (author) Angeli Janhsen
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
