Fragmenta Musicae
Contemporary Perspectives
edited by Joao Pedro d'Alvarenga, Manuel Pedro Ferreira and Alberto Medina de Seica
This volume brings together twenty studies that deal with a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ, with the aim of investing them with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution.
This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM-Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution.
- Edited by Joao Pedro d’Alvarenga
- Edited by Manuel Pedro Ferreira
- Edited by Alberto Medina de Seica
Other Titles in this Series
Christophe Ballard, imprimeur-libraire en musique sous Louis XIV
Avec un inventaire des editions des Ballard de 1672 a 1715
Ludwig Senfl (c.1490-1543)
A Catalogue Raisonne of the Works and Sources: Volume 2: Catalogue of the Sources Abbreviations, Bibliography and Indexes
Le Metier du maitre de musique d’Eglise du XVIe siecle au debut du XIXe
Activites, sociologie, carrieres
Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530
Music and the Identity Process
The National Churches of Rome and their Networks in the Early Modern Period
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