Encounters
The Art of Interfaith Dialogue
By (author) Aaron Rosen
The 21st century is a new era for interfaith dialogue. Leaders of many of the world’s faiths have begun, often for the first time, to sit down together and consider the possibilities for cooperation and dialogue between the practitioners of their religions. While in the past such encounters might have been stiff affairs contrived to
The 21st century is a new era for interfaith dialogue. Leaders of many of the world’s faiths have begun, often for the first time, to sit down together and consider the possibilities for cooperation and dialogue between the practitioners of their religions. While in the past such encounters might have been stiff affairs contrived to generate a politically expedient photo-op, what is remarkable today is the depth of relationships being formed across historically deep divides. Acclaimed artist Nicola Green has had a front row seat to many of these encounters, spending years accompanying former Archbishop of Canterbury Rowan Williams in meetings with religious leaders across the world. In her wide-ranging project Only through Others, Green presents photographs and paintings inspired by Dr. Williams’ intimate conversations with figures including Pope Emeritus Benedict XVI, the Dalai Lama, the Grand Mufti of Egypt, and former British Chief Rabbi Jonathan Sacks. Green’s works-resulting from unprecedented access yielding thousands of photographs, drawings, and pages of notes-provide a dynamic lens for the authors in this book to analyze what makes for productive and lasting interfaith dialogue. By paying attention to neglected factors in such encounters, from the set up of physical spaces to bodily gestures and even the clothing of participants, this book provides a truly embodied perspective on interfaith dialogue. It refuses to see theology in a vacuum, placing faith fully within the context of visual, material, and sensory culture.
- By (author) Aaron Rosen
Other Titles in this Series
Transformations in Persons and Paint
Visual Theology, Historical Images, and the Modern Viewer
Volume 1
Similar Books
‘For You I Study, For You I Work, For You I Live, For You I Am Ready To Even Give My Life’
Essays in Honour of Francis (Frank) J Moloney, SDB
A Late Antique Harrowing of Hell and Its Medieval Reception
Eusebius of Alexandria's Sermons 15 and 17 (CPG 5524; 5526) and their Latin Rewritings
Volume 99
Ars Prophetica
Theology in the Poetry of Twentieth-Century Hebrew Poets Avraham Halfi, Shin Shalom, Amir Gilboa, and T. Carmi
Drunk the Potion, No Whit Charmed
The Doctrine of Pure and Perfect Souls from Iamblichus to Damascius
Extracanonical Traditions and the Holy Land
Texts, Rituals, and Material Culture in Late Antique Palestine
Fear, Fear of God, God-Fearers
Philological and Historical Perspectives on the World of Ancient Judaism and Christianity
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Liturgia semper reformanda
Adaptations and accommodations in the liturgy in light of canon 838 of the Code of Canon Law
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Pre-Christian Religions, Rituals, and Beliefs in Central and Northern Europe
Interdisciplinary Investigations
Volume 5
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
