Die Vielfalt des Vervielfältigten

Bildgebende Verfahren in der Kunst der Neuzeit und ihre Produkte

Contributions by Federica Carta Contributions by Walter Cupperi Contributions by Luca Frepoli Contributions by Erin Hennessey Contributions by Thomas Hildenbrand Contributions by Paul Hofmann Contributions by Konrad Krčal Contributions by Thomas Ketelsen Contributions by Wolfram Kloppmann Contributions by Maximilian Kummer Contributions by Aleksandra Lipinska Contributions by Karina Pawlow Contributions by Jan Friedrich Richter Contributions by Joanna Sikorska Edited by Magdalena Bushart Edited by Livia Cárdenas Edited by Andreas Huth Series edited by Magdalena Bushart Series edited by Henrike Haug

Book cover: Die Vielfalt des Vervielfältigten

Extent: 348 pages

Publisher: Böhlau Verlag Köln

Subjects: Art & Art History, Early Modern & Renaissance Studies, Twentieth- & Twenty-First- Century History

Language: German

Paperback (Published)

(September 2025)

ISBN: 9783412532055

6.69 x 9.45 inches

Price: $74.00

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Synopsis
Contributing Authors

Der Vielgestaltigkeit des scheinbar Gleichen sind die in diesem Band versammelten Aufsatze gewidmet. Anhand von Fallbeispielen aus dem 15. bis 18. Jahrhundert untersuchen sie die Varianten und Varianzen mechanisch vervielfaltigter Werke und lenken so den Blick auf die Variabilitat, die den zwei- und dreidimensionalen Abdruck- und Abformungsverfahren eingeschrieben ist.

Gedruckte Bilder und abgeformte Bildwerke haben eines gemeinsam: Sie gehen auf ‘Urformen’ zuruck, zu denen sie in einem spannungsreichen Verhaltnis stehen. Auf mechanischem Wege – mit Hilfe einer Matrize, eines Models, eines Druckstocks oder einer Druckplatte – hergestellt, behaupten sie einen Ahnlichkeitsbezug zu ihrer Vorlage, von der sie sich doch zugleich in technischer, materieller und formaler Hinsicht unterscheiden. Auch die vervielfaltigten Werke sind untereinander keineswegs identisch. Sie basieren zwar auf einer gemeinsamen Negativform, unterliegen jedoch den mehr oder weniger kalkulierten Bedingtheiten und Zufalligkeiten des Fertigungsprozesses und werden haufig nachtraglich per Hand weiterbearbeitet. Der Vielgestaltigkeit des scheinbar Gleichen sind die in diesem Band versammelten Aufsatze gewidmet. Anhand von Fallbeispielen aus dem 15. bis 18. Jahrhundert untersuchen sie die Varianten und Varianzen mechanisch vervielfaltigter Werke und lenken so den Blick auf die Variabilitat, die den zwei- und dreidimensionalen Abdruck- und Abformungsverfahren eingeschrieben ist.

Contributions by Federica Carta
Contributions by Walter Cupperi
Contributions by Luca Frepoli
Contributions by Erin Hennessey
Contributions by Thomas Hildenbrand
Contributions by Paul Hofmann
Contributions by Konrad Krčal
Contributions by Thomas Ketelsen
Contributions by Wolfram Kloppmann
Contributions by Maximilian Kummer
Contributions by Aleksandra Lipinska
Contributions by Karina Pawlow
Contributions by Jan Friedrich Richter
Contributions by Joanna Sikorska
Edited by Magdalena Bushart
Edited by Livia Cárdenas
Edited by Andreas Huth
Series edited by Magdalena Bushart
Series edited by Henrike Haug

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