Fair and Foul
Magical Figures in Early Modern Europe
edited by Kirsten Dickhaut
Hardback (Published)
(June 2024)
ISBN: 9783447121828
Price: $73.00
On back order
This volume publishes the results of a project on magical fiction and figures funded by the Fritz Thyssen Foundation, which emerged from a conference focusing on the magus and his creative capacities before and after the Counter-Reformation. The conceptual debate of magia goes back to the French 17th century, when, for example, fireworks were discussed as magic. The contributions focus on the Italian 16th century and compare it with European literatures. The essays share a common interest in the question of the contemporary examination of magic, which is characterized both by the magia naturalis as a prototype of the natural sciences and by demonology in the reception of the Hexenhammer. The literary models of magicians focus on the role of the artistic form (for example as hieroglyphs), its ethical potential (criticism of magic) and specific effects, made possible by magic or as such can only be called magic, because it is simply about phenomena or processes that have not yet been named. The concept of magic is thus used to negotiate the relationship between imitation and creation, government and control, external influence and internal impetus, which is central for literary concepts and natural sciences. This volume shows the extent to which epics and theater, the Aristotelian genres, are a historical setting of specific experiments with different concepts of magic.
This volume publishes the results of a project on magical fiction and figures funded by the Fritz Thyssen Foundation, which emerged from a conference focusing on the magus and his creative capacities before and after the Counter-Reformation. The conceptual debate of magia goes back to the French 17th century, when, for example, fireworks were discussed as magic. The contributions focus on the Italian 16th century and compare it with European literatures. The essays share a common interest in the question of the contemporary examination of magic, which is characterized both by the magia naturalis as a prototype of the natural sciences and by demonology in the reception of the Hexenhammer. The literary models of magicians focus on the role of the artistic form (for example as hieroglyphs), its ethical potential (criticism of magic) and specific effects, made possible by magic or as such can only be called magic, because it is simply about phenomena or processes that have not yet been named. The concept of magic is thus used to negotiate the relationship between imitation and creation, government and control, external influence and internal impetus, which is central for literary concepts and natural sciences. This volume shows the extent to which epics and theater, the Aristotelian genres, are a historical setting of specific experiments with different concepts of magic.
- Edited by Kirsten Dickhaut
Other Titles in this Series
Begrifflichkeit, Konzepte, Definitionen
Schreiben uber Kunst und ihre Medien in Giovan Pietro Belloris Viten und in der Kunstliteratur der Fruhen Neuzeit
Volume 8
Die Renaissance der ‘Kauernden Venus’
Ihr Nachleben zwischen Aktualisierung und Neumodellierung von 1500 bis 1570
Volume 15
Raume des Subjekts um 1800
Zur imaginativen Selbstverortung des Individuums zwischen Spataufklarung und Romantik
Volume 2
Sur les chemins de l’amitie
Beitrage zur franzosischen Literaturgeschiche. Freundesgabe fur Dietmar Rieger
Der arztliche Fallbericht
Epistemische Grundlagen und textuelle Strukturen dargestellter Beobachtung
Volume 6
Positives Menschenbild und venezianita
Kythera als Modell einer geselligen Utopie in Literatur und Kunst von der italienischen Renaissance bis zur franzosischen Aufklarung
Volume 3
Amors Renaissance.
Modellierungen himmlischer und irdischer Liebe in der Literatur des Cinquecento
Volume 10
Der italienische Roman der Jahrhundertwende
Die Fortsetzungsromane in der Nuova Antologia (1899-1908) im 'Text der Kulturzeitschrift'
Volume 16
Die Causes celebres des 19. Jahrhunderts in Frankreich und Deutschland
Causes celebres des 19. Jahrhunderts in Frankreich und Deutschland
Volume 19
Im Labyrinth der Bibliothek
Metaphorische Bibliotheksentwurfe in zeitgenossischer Literatur und bildender Kunst
Volume 14
Amor sacro e profano
Modelle und Modellierungen der Liebe in Literatur und Malerei der italienischen Renaissance
Volume 7
Literatur und Musik im Cinquecento
Zwischen septem artes liberales und Humanismus in Italien
Volume 22
Texturen der Schwindsucht
Die phtisie im Wechselspiel von franzosischer Medizin und Literatur (1830-1900)
Volume 12
Kunst der Tauschung. Uber Status und Bedeutung asthetischer und damonischer Illusion in der Fruhen Neuzeit in Italien und Frankreich
Internationaler Workshop 4.-6.12.2014
Volume 13
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