Imagination in the Later Middle Ages and Early Modern Times
Edited by L. Nauta Edited by D. Pätzold
Hardback (Published)
(December 2004)
ISBN: 9789042915350
Price: $57.00
On back order
Imagination has always been recognised as an important faculty of the human soul. As mediator between the senses and reason, it is rooted in philosophical and psychological-medical theories of human sensation and cognition. Linked to these theories was the use of the imagination in rhetoric and the arts: images had not only an epistemological role in transmitting information from the outside world to the mind’s inner eye, but could also be used to manipulate the emotions of the audience. In this tradition, with Cicero and Quintilian as its auctoritates, images were used to arouse and manipulate the emotions. Both traditions had to be revalued in the seventeenth century with the advent of a mechanist, Cartesian picture of human cognition and the physical world. In spite of their usual suspicion of imagination, which was commonly associated with illusions, dreams and fiction, seventeenth-century philosophers realised that the imagination also had its place in mathematical, scientific and philosophical thinking. This volume, number XII in the series Groningen Studies in Cultural Change, offers the papers presented at a workshop on imagination, organised by the editors in September 2002. It covers both the philosophical-psychological as well as the humanist-rhetorical traditions, discussing key figures such as Kilwardby, Lorenzo Valla, Leon Battista Alberti, Agricola, Gianfrancesco Pico, Erasmus, Paracelsus, Kepler, Bacon, Suarez, Descartes and Spinoza, but also treating hitherto neglected texts and writers such as Nicholas of Amsterdam and Jean Lemaire de Belges. By focusing on the ever-shifting ideas of the imagination as a philosophical and rhetorical tool, this volume not only deepens our understanding of its central theme but also sheds new light on the thought and writings of these and other authors.
Imagination has always been recognised as an important faculty of the human soul. As mediator between the senses and reason, it is rooted in philosophical and psychological-medical theories of human sensation and cognition. Linked to these theories was the use of the imagination in rhetoric and the arts: images had not only an epistemological role in transmitting information from the outside world to the mind’s inner eye, but could also be used to manipulate the emotions of the audience. In this tradition, with Cicero and Quintilian as its auctoritates, images were used to arouse and manipulate the emotions. Both traditions had to be revalued in the seventeenth century with the advent of a mechanist, Cartesian picture of human cognition and the physical world. In spite of their usual suspicion of imagination, which was commonly associated with illusions, dreams and fiction, seventeenth-century philosophers realised that the imagination also had its place in mathematical, scientific and philosophical thinking. This volume, number XII in the series Groningen Studies in Cultural Change, offers the papers presented at a workshop on imagination, organised by the editors in September 2002. It covers both the philosophical-psychological as well as the humanist-rhetorical traditions, discussing key figures such as Kilwardby, Lorenzo Valla, Leon Battista Alberti, Agricola, Gianfrancesco Pico, Erasmus, Paracelsus, Kepler, Bacon, Suarez, Descartes and Spinoza, but also treating hitherto neglected texts and writers such as Nicholas of Amsterdam and Jean Lemaire de Belges. By focusing on the ever-shifting ideas of the imagination as a philosophical and rhetorical tool, this volume not only deepens our understanding of its central theme but also sheds new light on the thought and writings of these and other authors.
- Edited by L. Nauta
- Edited by D. Pätzold
Other Titles in this Series
The Beloved Mothertongue
Ethnolinguistic Nationalism in Small Nations: Inventories and Reflections
Volume 33
Nobilities in Europe in the Twentieth Century
Reconversion Strategies, Memory Culture, and Elite Formation
Volume 50
Understanding Art in Antwerp
Classicising the Popular, Popularising the Classic (1540-1580)
Volume 45
Language and Cultural Change
Aspects of the Study and Use of Language in the Later Middle Ages and the Renaissance
Volume 24
Invisible Hands?
The Role and Status of the Painter's Journeyman in the Low Countries c.1450 - c.1650
Volume 23
Transnationality, Internationalism and Nationhood
European Avant-Garde in the First Half of the Twentieth Century
Volume 48
Europa: Charming Zeus … and Numerous Others!
International Political Economy of EU Accession
Volume 29
Form and Style in Journalism
European Newspapers and the Representation of News, 1880-2005
Volume 26
Commonplace Culture in Western Europe in the Early Modern Period I
Reformation, Counter-Reformation and Revolt
Volume 39
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