Commonplace Culture in Western Europe in the Early Modern Period II
Consolidation of God-given Power
edited by P.G. Bossier and K. Banks
This is the second of three volumes from the project ‘Authority and Persuasion: the Role of Commonplaces in Western Europe (c.1450-c.1800)’. The project was launched by the universities of Copenhagen, Durham and Groningen and involved scholars from a range of disciplines who researched the use of commonplaces as a means of persuasion in the early modern world. Commonplaces as a technical term refers to the loci communes collected in late medieval and early modern commonplace books. In the project, however, the notion of commonplace was broadened to include means of persuasion in all kinds of texts as well as the visual arts, theatre, music and other media. This broader notion embraces metaphors, proverbs, figures, and expressions that enjoyed both a history of use in a given society or language community and a wide currency in that society. This is the second volume from the Commonplace Culture series. It analyses the use of commonplaces to bolster power, or sometimes to question it. The volume focuses on the seventeenth century. In the latter part of this period, the status and cognitive scope of the printed commonplace book declined; yet, as the essays in this volume demonstrate, the cognitive practices evidenced in commonplace books continued to enjoy good health. The ‘commonplaces’ analysed by contributors to this volume constitute cultural objects which gained persuasive potential from the exploitation of material bearing the authority of the past, yet they are not commonplaces stricto sensu. The essays in the volume examine not only written texts but also theatre, music, processions, ballets, and royal entries. In particular, the notion of the commonplace is taken into the visual domain, indicating that in the seventeenth century the visual was central to those diverse practices which sought to shore up God-given power through the pre-existing authority of commonplace material. The first volume concerns ‘Reformation, Counter-Reformation and Revolt’, and the third volume deals with ‘Legitimation of Authority’.
This is the second of three volumes from the project ‘Authority and Persuasion: the Role of Commonplaces in Western Europe (c.1450-c.1800)’. The project was launched by the universities of Copenhagen, Durham and Groningen and involved scholars from a range of disciplines who researched the use of commonplaces as a means of persuasion in the early modern world. Commonplaces as a technical term refers to the loci communes collected in late medieval and early modern commonplace books. In the project, however, the notion of commonplace was broadened to include means of persuasion in all kinds of texts as well as the visual arts, theatre, music and other media. This broader notion embraces metaphors, proverbs, figures, and expressions that enjoyed both a history of use in a given society or language community and a wide currency in that society. This is the second volume from the Commonplace Culture series. It analyses the use of commonplaces to bolster power, or sometimes to question it. The volume focuses on the seventeenth century. In the latter part of this period, the status and cognitive scope of the printed commonplace book declined; yet, as the essays in this volume demonstrate, the cognitive practices evidenced in commonplace books continued to enjoy good health. The ‘commonplaces’ analysed by contributors to this volume constitute cultural objects which gained persuasive potential from the exploitation of material bearing the authority of the past, yet they are not commonplaces stricto sensu. The essays in the volume examine not only written texts but also theatre, music, processions, ballets, and royal entries. In particular, the notion of the commonplace is taken into the visual domain, indicating that in the seventeenth century the visual was central to those diverse practices which sought to shore up God-given power through the pre-existing authority of commonplace material. The first volume concerns ‘Reformation, Counter-Reformation and Revolt’, and the third volume deals with ‘Legitimation of Authority’.
- Edited by K Banks
- Edited by PG Bossier
Other Titles in this Series
Europa: Charming Zeus … and Numerous Others!
International Political Economy of EU Accession
Volume 29
Form and Style in Journalism
European Newspapers and the Representation of News, 1880-2005
Volume 26
Commonplace Culture in Western Europe in the Early Modern Period I
Reformation, Counter-Reformation and Revolt
Volume 39
Commonplace Culture in Western Europe in the Early Modern Period III
Legitimation of Authority
Volume 41
Cultural Mediators
Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650
Volume 31
Lady Macbeth’s Sisters
Women's Power in Political Elites in the Transition from Monarchy to Democracy
Volume 43
Believers in the Nation
European Religious Minorities in the Age of Nationalism (1815-1914)
Volume 52
The Beloved Mothertongue
Ethnolinguistic Nationalism in Small Nations: Inventories and Reflections
Volume 33
Understanding Art in Antwerp
Classicising the Popular, Popularising the Classic (1540-1580)
Volume 45
Nobilities in Europe in the Twentieth Century
Reconversion Strategies, Memory Culture, and Elite Formation
Volume 50
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