L’ oblique dans le monde grec
Concept et imagerie
By (author) Thibault Girard
Paperback (Published)
(July 2015)
ISBN: 9781784911393
8.31 x 11.69 inches
Price: $70.00
In stock
Explores the ancient Greeks’ apprehension (or lack thereof) of the concept of oblique. The study of written and figurative languages each bring a different and complementary perspective.
What could be more evident than the concepts of oblique, horizontal or vertical? In the modern world, these concepts form the basis of our thought system, both from a mathematical and artistic point of view. Everything would suggest that these principles were known to the Greek civilization. However, the study of the surviving texts casts a different light on the matter. Homer did not know the concept of oblique – no word could translate it into the language of his time. Even later, the Greeks had five adjectives approximately meaning oblique: λοξός, πλάγιος, λέχριος, σκολιός and δόχμιος. Each discipline (cosmology, optic, geography, art, etc.) had its own way of looking at these five words. Paradoxically, what the written language had not yet synthesized was abundant in imagery. Even more surprising, the oblique in images, which we consider as a sign of movement in our own iconographic language, is found to signify both movement and rest. Two monuments of Greek art draw attention to this new paradox: the frieze of the Mausoleum of Halicarnassus and the Mourning Athena. In each of them, the oblique line is present, and carries two distinct meanings. These two forms of language, written and figurative, bring a different and complementary perspective on the ancient Greeks’ apprehension (or lack thereof) of the concept of oblique.
Introduction. Les Grecs et Nous Premi ere Parti e. L'obli que dans la pensee grecque Chapitre I. Prolegomenes. La table des opposes fondamentaux et Homere Chapitre II. Macrocosme et microcosme. Des presocratiques a Proclos Chapitre III. La theorie des atomes. Epicure et Lucrece Chapitre IV. L'oblique des vents Chapitre V. Strabon Chapitre VI. Hippocrate et les medecins grecs Chapitre VII. Les Tragiques et les poetes hellenistiques Chapitre VIII. Le rayon et le miroir : la vision d'Euclide Deuxieme Parti e. L'obli que dans l'art grec Chapitre IX. La notion d'oblique dans l'art Chapitre X. Oblique en mouvement Chapitre XI. Oblique en repos Conclusion : Les descriptions antiques d'oeuvres d'art
Thibault Girard has a PhD in classical archaeology. He is a researcher associated with the CNRS and the University of Liège, and participates in the excavations of the Schola del Traiano (Ostia antica). His research focuses on Greco-Roman iconography, leading to the publication of L’oblique dans le monde grec : concept et imagerie (Archaeopress 2015), as well as several articles and reviews in international journals.
- By (author) Thibault Girard
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