Zwischen Pixel und Pigment

Malerei in der postdigitalen Gegenwart: Between Pixel and Pigment: Painting in the Postdigital Present

by Ann Kristin Kreisel, Fabian Offert, Kathleen Rahn, Margit Rosen, Luke Smythe, Christina Vegh, Benedikt Fahrnschon and edited by Nina Gerlach and Simon Vagts

Extent: 350 pages

Publisher: Dietrich Reimer Verlag

Subjects: Art & Art History, Communications, Film, & Media Studies

Language: German

Paperback (Published)

(August 2025)

ISBN: 9783496017141

6.65 x 9.49 inches

Price: $53.00

In stock

Add to cart

Synopsis
Contributing Authors

The digital is omnipresent in our everyday lives, but also in art. Since the turn of the millennium, artists such as Amy Sillman, Wade Guyton and Sonia Almeida have been using digital technologies as a matter of course. This volume is a survey of contemporary painting.

Was ist mit postdigital gemeint? Der Begriff beschreibt nicht etwa das Ende des Digitalen, sondern vielmehr dessen Allgegenwart im Alltag, in gesellschaftlichen Strukturen, Arbeitsbedingungen und selbstverstandlich auch in der Kunst. Kunstler: innen wie Avery Singer, Corinne Wasmuht, Laura Owens, Seth Price und Rafael Rozendaal nutzen digitalisiertes Bildmaterial, Drucker, Grafiksoftware und vieles mehr und verhandeln so zentrale Fragen der Geschichte der Malerei. Ausgangspunkt des Buches ist die Ausstellung Zwischen Pixel und Pigment. Hybride Malerei im postdigitalen Zeitalter (Kunsthalle Bielefeld und Marta Herford 07.07.-10.11.2024). Inspiriert von den Kunstwerken und der Ausstellungsgestaltung widmen sich die Autor:innen den neuen technologischen und sozialen Bedingungen der Malerei. So bietet der Band, der aus einer Kooperation von Wissenschaft und Ausstellungspraxis entstand, eine Bestandsaufnahme zeitgenossischer Malerei.

By (author) Benedikt Fahrnschon
By (author) Ann Kristin Kreisel
By (author) Fabian Offert
By (author) Kathleen Rahn
By (author) Margit Rosen
By (author) Luke Smythe
By (author) Christina Vegh
Edited by Nina Gerlach
Edited by Simon Vagts

Similar Books

A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown

The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis

edited by Sylvette Lemagnen and Gale Owen-Crocker

Ancient Iran in the ISAC Museum

From Prehistory to the Achaemenid Period

Volume 3

By (author) Abbas Alizadeh

Art. Science. Fiction

Alexandra Hunts, Sjoerd Knibbeler, Sophia Pompéry, Ulrike Schmitz

Edited by Pia Littmann Edited by Ulrike Wolff-Thomsen Edited by

Atmosphere

Conceptualizing Methods in Fashion Graphics

By (author) Marius Janusauskas

Balthasar Caymox of Nuremberg

Early Modern German Print Publishers: Popular Prints of the Seventeenth Century

By (author) John Roger Paas

Beiträge zur Islamischen Kunst und Archäologie

Glass in the Islamic World

Edited by Francine Giese Edited by Sophie Wolf Edited by Sarah Tabbal

BMW Photo Award Leipzig 2026

Viktoria Binschtok, Harald Kirschner, Jay Ritchie

Edited by Stefan Weppelmann Edited by Philipp Freytag Edited by

Books Will Speak Plain

A Handbook for Identifying and Describing Historical Bindings

By (author) Julia Miller

Conservation of Design

Prototypes to Afterlives

By (author) Sarah Barack By (author) Kate Wight Tyler By (author) Jessica Walthew

Dietrichstein Manuscript Fragments

Codices from the Moravian Library

By (author) Eduard Lazorík

ENTANGLED AFRICA

Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE

Edited by Johanna Sigl Edited by Jörg Linstädter

European Hand Papermaking

Traditions, Tools, and Techniques

By (author) Timothy D. Barrett

Feminist Friendships, Collaborations, and Networks in the Visual Arts

Edited by Jennifer Griffiths Edited by Andrea Pearson

Book cover: Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)

Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)

Proceedings of a Conference Held at the British Museum, 16–18 June 2023

Edited by St John Simpson

Holbein’s Wit

Pictorial Ingenuity in Renaissance Art

Volume 17

By (author) Alexander Marr

Holy Laboratory

Altars and Sacred Spaces in Venice ca. 1300-1797

Language – Media – Ideology

Edited by Marta Noińska Edited by Urszula Patocka-Sigłowy Edited by Żanna Sładkiewicz

Legal Visuality

Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period

By (author) Silvia Tita

Listening to the Swan Song

More-than-Human Beings and Sounds in Literature and Culture Through the Ages

Contributions by Catherine Rensmann Contributions by Nicola Renzi Contributions by Johann Anselm Steiger Contributions by…

Mario Schifano

When I remember

Edited by Svenja Frank Edited by Philipp Singer Edited by

Mass Communication in the Digital Era

Edited by Tatiana Kananowicz Edited by Sesili Gogiberidze

Meeting by Accident

Selected Historical Bindings

By (author) Julia Miller

Modulation

The Parameter-Image

By (author) Tomáš Dvorák

Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)

Production, Use, and Contexts

Contributions by Daniel Galadza Contributions by Adrian C. Pirtea Contributions by Habib Ibrahim Contributions by…

Mosaics of Ravenna

Image and meaning

By (author)

Naples as Laboratory / Laboratorium Neapel

Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei

edited by Elisabeth Oy-Marra and Heiko Damm