Villae Leonardo e l’antico
Convegno di studi - sintesi introduttiva
edited by Andrea Bruciati
Paperback (Out of print)
(April 2021)
ISBN: 9788891321602
Price: $145.00
On back order
Leonardo’s interest in the structures of the monumental archaeological site is documented by several sketches and notes. The most renowned of these notes, those of the Arundel Code depicting the so called Serapeum of the Tiburtine imperial Villa, have long been analysed and examined by the greatest Vincian experts (Pedretti, Marani), and by scholars of the Tiburtine imperial Villa (Cinque). The Convention was conceived on the basis of the results of this research, with the aim of attesting, clarifying and promoting knowledge of Leonardo’s visit, as well as scrutinizing the influence that this first trip had on the education of the Genius, on his research and his ever more substantiated connection with the ancient. The Convention touches on the less known themes of Vincian research and on the dialectical relationship between Leonardo and his contemporaries.
- By (author) L’Erma di Bretschneider
- Edited by Andrea Bruciati
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
