Tributes to David Freedberg
Image and Insight
Edited by Claudia Swan
This volume honors the vital impact of David A. Freedberg, Pierre Matisse Professor of the History of Art and Director of The Italian Academy for Advanced Studies in America at Columbia University, on the field of art history and several cognate areas of research. Essays by leading specialists on early modern northern European and It
This volume honors the vital impact of David A. Freedberg, Pierre Matisse Professor of the History of Art and Director of The Italian Academy for Advanced Studies in America at Columbia University, on the field of art history and several cognate areas of research. Essays by leading specialists on early modern northern European and Italian art and history, prints and print culture, iconoclasm and responses to images, connoisseurship, and the history of collecting, testify to Freedberg’s wide area of influence and a substantial intellectual legacy in the making. With contributions by Renzo Baldasso, Marisa Anne Bass, Emily A. Beeny, Carolin Behrmann, Francesco Benelli, David, Benjamin, Horst Bredekamp, Giovanna Alberta Campitelli, Chiara Cappelletto, Georges Didi-Huberman, Adam Eaker, Jan Piet Filedt Kok, Robert Fucci, Diletta Gamberini, Maartje van Gelder, Carlo Ginzburg, Claudia Goldstein, Emilie E.S. Gordenker, Meredith McNeill Hale, Koenraad Jonckheere, Margaret K. Koerner, Catherine Levesque, Victoria Sancho Lobis, Peter N. Miller, Alexandra Onuf, Peter Parshall, Andrea Pinotti, Larry Silver, William Stenhouse, Jonathan Unglaub, Mariet Westermann, Veronica Maria White, Anne T. Woollett, Elizabeth Wyckoff, and Carolyn Yerkes.
Print Matters Renzo Baldasso - Capitals between Rome and Nuremberg: Creating and Transferring Style circa 1470-75 Catherine Levesque - 'Imitation and its Discontents': Segers' Window Peter N. Miller - What Price Innovation? The Cost of Printing the Paris Polyglot Bible Alexandra Onuf - Hans van Luyck and the Byways of Flemish Landscape Prints Peter Parshall - Rembrandt's Christ Presented to the People (1655): A Report on the Crowd Victoria Sancho Lobis - Vorsterman, Van Dyck, and Rubens's Printmaking Enterprise Elizabeth Wyckoff - 'Various Rare Paintings and Printed Artworks for Art Lovers': Jan Pietersz Berendrecht and the Origins of the Dutch Painter-Etcher Tradition The North Marisa Anne Bass - Flowers for Friends: The Origins of the Flower Still Life in the Early Modern Netherlands Emily A. Beeny - Poussin's Idolatrous Dances Benjamin Binstock - Rembrandt's So-Called 'Faust' as Self-Portrait of the Artist-Kabbalist in the Studio Adam Eaker - Rubens and the Gallery of Beauties Claudia Goldstein - Kitchen Scenes and Performance at the Antwerp Dinner Party Meredith McNeill Hale - 'Rubens Only Whispers': The Reception of the Cambridge Bozzetti for the Triumph of the Eucharist Tapestry Series Koenraad Jonckheere - Something's Missing. A Note on the Historiography of Rubens's Rockox Triptych Anne T. Woollett - Forging Rubens: Antwerp and the Vaenius Studio Robert Fucci - Rubens and the Twelve Years' Truce: Reconsidering the Adoration of the Magi for the Antwerp Town Hall Mariet Westermann - The Lure of the Lemon The Powers of Images (Response/Iconoclasm) Carolin Behrmann - Venus, Slashed. Objectification and Artistic Agency Chiara Cappelletto - The Bios of the Image: Living Thanks to Fiction Georges Didi-Huberman - Image, sensation, disproportion Diletta Gamberini - 'Divine' or Not? Poetic Responses to the Art of Michelangelo Maartje van Gelder - Stoning the Doge. Popular Aggression and Political 'Iconoclasm' in Early Modern Venice Andrea Pinotti - The Anthropomorphic Drive. Similitude, Simulation, Empathy Gary Schwartz - Emotions in Art from Giambattista della Porta to David Freedberg Larry Silver - The Images of Power: Dinglinger's Dresden Miniatures Carolyn Yerkes - Inhabited Sculptures, Lethal Weapons Italian Matters Francesco Benelli - Angles and Demons. Considerations on the Aesthetics of Ground Plan Drawings in the Renaissance David Bindman - The Black Page: The Ottoman Connection Giovanna Alberta Campitelli - Le Caccie die Papi Sarah C. McPhee - Pyramids on Paper Jonathan Unglaub - Guido Reni, Antonio Bruni, and a Poetics of Response Veronica Maria White - Drawings from the Gennari Inventory of 1719 The Artist Jan Piet Filedt Kok - The Minotaur in the Drawings of Peter Vos: An Alter Ego? Margaret K. Koerner - William Kentridge: Renaissance Man of Johannesburg Theory; Connoisseurship Carlo Ginzburg - Mise en abyme: A Reframing Emilie E.S. Gordenker - Connoisseurship Revisited: The Case of Saul and David William Stenhouse - The Style and Substance of Ancient Coins: Louis Savot, Numismatics, and Connoisseurship in the Age of the Paper Museum Horst Bredekamp - Erwin Panofskys Habilitation und die Rhythmik des Films
- Edited by Claudia Swan
Other Titles in this Series
Tributes to Kathleen L. Scott
English Medieval Manuscripts: Readers, Makers and Illuminators
Volume 4
Tributes in Honor of James H. Marrow
Studies in Painting and Manuscript Illumination of the Late Middle Ages and Northern Renaissance
Volume 3
Tributes to Jonathan J.G. Alexander
The Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture
Volume 1
Tributes to T.A. Heslop
From Miniature to Monumental: Studies in Medieval Art and Architecture
Volume 14
Tributes to Maryan W. Ainsworth
Collaborative Spirit: Essays on Northern European Art, 1350-1650
Volume 12
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