The Medieval Monastery of Saint Elijah
A History in Paint and Stone
By (author) Alison Perchuk
Blending innovative art historical analysis with archaeology, epigraphy, history, liturgy, theology, and landscape and memory studies, The Medieval Monastery of Saint Elijah: A History in Paint and Stone is the first comprehensive interdisciplinary study of a deeply intelligent yet understudied male Benedictine convent near Rome. The only monastery known to have been dedicated to the prophet Elijah in the Latin West, it was rebuilt c.1122-26 with papal patronage. Today, the monastery is represented by its church of Sant’Elia, a stone basilica endowed with its original Cosmati marble pavement and liturgical furnishings, early and high medieval sculptures and inscriptions, and vibrant wall paintings that include unique depictions of the prophet Elijah and the twelve tribes of Israel as warriors, an apse program with a distinctly elite Roman origin, and an important narrative cycle of the Apocalypse. An outlying chapel marks the site of a theophany that sanctified the landscape and gave the monastery its raison d’etre. The Medieval Monastery of Saint Elijah makes significant contributions to current art historical debates concerning communal identity and the construction of social memory, artistic creativity and processes, the multisensory and exegetical capacities of works of visual art, intersections of topography and sanctity, and the effects of medievalism on our understanding of the Middle Ages.
Blending innovative art historical analysis with archaeology, epigraphy, history, liturgy, theology, and landscape and memory studies, The Medieval Monastery of Saint Elijah: A History in Paint and Stone is the first comprehensive interdisciplinary study of a deeply intelligent yet understudied male Benedictine convent near Rome. The only monastery known to have been dedicated to the prophet Elijah in the Latin West, it was rebuilt c.1122-26 with papal patronage. Today, the monastery is represented by its church of Sant’Elia, a stone basilica endowed with its original Cosmati marble pavement and liturgical furnishings, early and high medieval sculptures and inscriptions, and vibrant wall paintings that include unique depictions of the prophet Elijah and the twelve tribes of Israel as warriors, an apse program with a distinctly elite Roman origin, and an important narrative cycle of the Apocalypse. An outlying chapel marks the site of a theophany that sanctified the landscape and gave the monastery its raison d’etre. The Medieval Monastery of Saint Elijah makes significant contributions to current art historical debates concerning communal identity and the construction of social memory, artistic creativity and processes, the multisensory and exegetical capacities of works of visual art, intersections of topography and sanctity, and the effects of medievalism on our understanding of the Middle Ages.
- By (author) Alison Perchuk
Other Titles in this Series
Fallen Idols, Risen Saints
Sainte Foy of Conques and the Revival of Monumental Sculpture in Medieval Art
Volume 7
Ritual, Gender, and Narrative in Late Medieval Italy
Fina Buzzacarini and the Baptistery of Padua
Volume 15
Viewing Greece
Cultural and Political Agency in the Medieval and Early Modern Mediterranean: Papers Stimulated by the Exhibition 'Heaven & Earth, Art of Byzantium from Greek Collections'
Volume 11
The Art and Archaeology of Lusignan and Venetian Cyprus (1192-1571)
Recent Research and New Discoveries
Volume 12
Christ on the Cross
The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970-1200
Volume 14
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