The Dance of Death in the Middle Ages
Image, Text, Performance
By (author) Elina Gertsman
Hardback (Published)
(December 2010)
ISBN: 9782503530635
Price: $108.00
Out of stock
Elina Gertsman’s multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.
- By (author) Elina Gertsman
Other Titles in this Series
Fallen Idols, Risen Saints
Sainte Foy of Conques and the Revival of Monumental Sculpture in Medieval Art
Volume 7
Ritual, Gender, and Narrative in Late Medieval Italy
Fina Buzzacarini and the Baptistery of Padua
Volume 15
Viewing Greece
Cultural and Political Agency in the Medieval and Early Modern Mediterranean: Papers Stimulated by the Exhibition 'Heaven & Earth, Art of Byzantium from Greek Collections'
Volume 11
The Art and Archaeology of Lusignan and Venetian Cyprus (1192-1571)
Recent Research and New Discoveries
Volume 12
Christ on the Cross
The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970-1200
Volume 14
Similar Books
A Late Antique Harrowing of Hell and Its Medieval Reception
Eusebius of Alexandria's Sermons 15 and 17 (CPG 5524; 5526) and their Latin Rewritings
Volume 99
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Tradition, Interpretation, and Change
Developments in the Liturgy of Medieval and Early Modern Ashkenaz
Women in Late Antiquity and the Early Middle Ages
Studies from Western Europe and North Africa
Volume 44
