Roberto Cremesini
Scultore e medaglista
edited by Girolamo Zampieri
Hardback (Published)
(February 2018)
ISBN: 9788891316189
6.65 x 9.45 inches
Price: $391.00
In stock
This volume is dedicated to the Italian sculptor and engraver Roberto Cremesini, whose rich artistic production is extremely significant for the beauty of his works. Just to mention a few examples and without pretending to be able to make any real critical judgment in my capacity as publisher and not as an art historian, among such works I would like to recall the two beautiful statues San Francis in Treviso and Calvi in Umbria, the monumental Risen Christ at Padua, the St. Thomas at the San Daniele church in Padua, the antependium and baptismal font at the church of San Domenico in Selvazzano Dentro (Padua), the Ambon and antependium at the church of Torrebelvicino (Vicenza) and the numerous and extraordinary portrait busts: those of the Gino twins and Paolo Belloni, the spouses Concetta and Ernesto Cataldo, Mrs. Costa, Anna Scovaricchi, Gianni Floriani, Ferruccio Moro and Calogero Casuccio. In short, I believe that the works of Roberto Cremesini can be considered reassuring witnesses of insightful and accurate work, with some elements in which one can distinguish a certain “classicism” but with absolute creative individuality.
- Edited by Girolamo Zampieri
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
