Images in the Borderlands
The Mediterranean between Christian and Muslim Worlds in the Early Modern Period
Edited by Ivana Capeta Rakic Edited by Giuseppe Capriotti
This volume offers a unique exploration into the cultural history of the Mediterranean in the Early Modern Period by examining the region through the prism of Christian-Muslim encounters and conflicts and the way in which such relationships were represented in art works from the time. Taking images from the period as its starting point, this interdisciplinary work draws together contributors from fields as varied as cultural history, art history, archaeology, and the political sciences in order to reconstruct the history of a region that was often construed in the Early Modern period as a ‘borderland’ between religions. From discussions of borders as both physical construction and mental construct in the Mediterranean to case studies exploring the Battle of Lepanto, and from analyses of art work produced from the fifteenth to eighteenth centuries to a consideration of the influence of the Ottoman Empire in the Mediterranean Basin, the chapters gathered together in this insightful volume provide a new approach to our understanding of Early Modern Mediterranean history.
- Edited by Ivana Capeta Rakic
- Edited by Giuseppe Capriotti
Other Titles in this Series
De l’Europe ottomane aux nations balkaniques
Les Lumieres en question: From Ottoman Europe to the Balkan Nations: Questioning the Enlightenment
Volume 4
Similar Books
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Cities through Time
Glimpses into Urbanity and Community in Mediaeval to Modern West Asia and Egypt
Volume 1
Global Gulf
Geo-Economic, Geo-Political, and Geo-Technological Transformation in Saudi Arabia, the United Arab Emirates, and Qatar
Ismail Hakki Bursevi’s translation of and commentary on Fusus al-Hikam By Muhyiddin Ibn ‘Arabi
Volumes 1-4
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Qatar’s Societal Security
Towards the Inclusive National Concept of ‘Baladna’ Identity, Migration and External Threats Since 2017
Students, Scholars and Their Books at the University of Louvain (1425-1797)
Studium Lovaniense: Learning across Borders, 1
Volume 17
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Tradition, Interpretation, and Change
Developments in the Liturgy of Medieval and Early Modern Ashkenaz
Networking through Biography
Constructing Intellectual Junctions in Antiquity, the Renaissance and the Arabo-Islamic World
Volume 19
