Histoire de l’histoire de l’art
Tome II. XVIIIe et XIXe siecles
edited by Musee du Louvre Service culturel Paris and Edouard Pommier
Paperback (Published)
(June 1997)
ISBN: 9782252031421
Price: $67.00
On back order
De la fin du XVIIIe siecle jusqu’a la fracture de 1914, l’histoire de l’art, participant au mouvement de fond qui traverse le XIXe siecle, s’etablit en discipline scientifique, au meme titre que les autres branches de l’histoire. Adoptant les methodes mises au point pour les recherches medievales, associant les nouvelles techniques de l’image a l’education du regard, s’appuyant sur un reseau toujours plus diversifie de musees, l’histoire de l’art affirme sa pretention a la respectabilite universitaire comme son ambition d’eclairer la notion de civilisation. Pourtant, ce triomphe apparent est bientot conteste par des interrogations recurrentes. L’etude de l’art dans sa dimension temporelle releve-t-elle d’une demarche positive, ou doit-elle revendiquer, compte tenu de la specificite de son objet, un statu distinct ? Ce second tome, faisant suite a l’Histoire de l’histoire de l’art. De l’Antiquite au XVIIIe siecle, veut poser quelques jalons sur un territoire aux frontieres incertaines.
- Edited by Musee du Louvre Service culturel Paris
- Edited by Edouard Pommier
Other Titles in this Series
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
