Hamilton Kerr Institute Bulletin number 8, 2020
Edited by Adèle Wright Edited by Sally Woodcock Edited by Lucy Wrapson Edited by Christine Braybrook Edited by Felicity Campbell
Paperback (Published)
(August 2020)
ISBN: 9781909492752
8.27 x 11.69 inches
Price: $90.00
In stock
This is the eighth volume in this biennial series which presents the recent research into the conservation, structure, materials, history etc. of paintings by past and present staff and students of the Hamilton Kerr Institute.
This volume is the eighth in this biennial series which presents the recent research into the conservation, structure, materials, history etc. of paintings by past and present staff and students (including early career interns) of the Hamilton Kerr Institute.
Preface
'They are so true to life and Nature': the technique and treatment of Jan van Kessel the Elder's Insects Anna Don
Prussian blue: limitations associated with the analysis of early synthetic pigments and their extenders Camille Polkownik and Iris Buisman
The Entombment Flanked by Saint Barbara and Saint Catherine of Alexandria: the materials and techniques of a c.1480-1530 Spanish banco Molly Hughes- Hallett
Kingston Lacy's Omnia Vanitas: retracing a Titian provenance through technical study Alice Tavares- Silva
Unnoticed: diverse uses of starch in paintings Maria Carolina Pena Marino
Cracking, reconstructing and conserving Jan van der Heyden's 'art secret' Jae Youn Chang
Exploring the work of Sir Gerald Festus Kelly PRA (1879-1972), 'the most reliable portrait painter of his time' Katherine Waldron
A picture tells a thousand words: the effects of human perception on imaging in conservation and the relevance of consistency and defined parameters Christine Braybrook and Chris Titmus
Technical Forms of Procedure' in the Royal Academy and Roberson archives: two sides of the same picture Anna Don and Sally Woodcock,
Preface
‘They are so true to life and Nature’: the technique and treatment of Jan van Kessel the Elder’s Insects
Anna Don
Prussian blue: limitations associated with the analysis of early synthetic pigments and their extenders
Camille Polkownik and Iris Buisman
The Entombment Flanked by Saint Barbara and Saint Catherine of Alexandria: the materials and techniques of a c.1480–1530 Spanish banco
Molly Hughes- Hallett
Kingston Lacy’s Omnia Vanitas: retracing a Titian provenance through technical study
Alice Tavares- Silva
Unnoticed: diverse uses of starch in paintings
Maria Carolina Pena Marino
Cracking, reconstructing and conserving Jan van der Heyden’s ‘art secret’
Jae Youn Chang
Exploring the work of Sir Gerald Festus Kelly PRA (1879-1972), ‘the most reliable portrait painter of his time’
Katherine Waldron
A picture tells a thousand words: the effects of human perception on imaging in conservation and the relevance of consistency and defined parameters
Christine Braybrook and Chris Titmus
Technical Forms of Procedure’ in the Royal Academy and Roberson archives: two sides of the same picture
Anna Don and Sally Woodcock
- Edited by Adèle Wright
- Edited by Sally Woodcock
- Edited by Lucy Wrapson
- Edited by Christine Braybrook
- Edited by Felicity Campbell
Similar Books
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Art and Mysticism in Silesia in the Baroque Period
Angelus Silesius, Bernhard Rosa, and Michael Willmann
Beiträge zur Islamischen Kunst und Archäologie
The Arts and Archaeology of Funerary Cultures in Islam
Volume 10.0
Die (Ent-)Politisierung der Kunstwissenschaft/(De)Politicising Art Studies
Marxistische Traditionslinien seit 1968/Marxist Traditions since 1968
Volume 27
Gender in Gandharan Art
Representations and Interactions in the Buddhist Context (1st-4th centuries CE)
