Fossil Woods and Other Geological Specimens

By (author) David Freedberg By (author) Andrew C Scott

Book cover: Fossil Woods and Other Geological Specimens

Extent: 424 pages

Publisher: Harvey Miller

Subjects: Art & Art History, Earth & Life Sciences 

Series: Paper Museum of Cassiano dal Pozzo. Series B: Natural History

Series volume number: 3.1

Language: English

Hardback (Published)

(December 2000)

ISBN: 9781872501918

Price: $106.00

On back order

Originally formed by Prince Federico Cesi in the early seventeenth century and later acquired by Cassiano, these drawings constitute the first truly scientific study of fossilized woods and are executed with great finesse, skill and detail.


This new Catalogue Raisonne, Part III in the series on Natural History, is based on the collection originally formed by Prince Federico Cesi in the early 17th century and later acquired by Cassiano. These drawings constitute the first truly scientific study of fossilized woods and are executed with such finesse, skill and detail that they will be of immense interest both to art-historians and to historians of science. The drawings, the majority of which have remained unstudied and unpublished until now, include specimens of wood and animal fossils, ammonites and concretions, pyrits and baked clays, as well as a series of field drawings giving the sites where these specimens were found. The introductory essays discuss the background to Cesi’s project as well as the importance of the drawings to the history of seventeenth- century culture and science.

David Pegler retired in 1998 as Head of Mycology at the Royal Botanic Gardens, Kew. His taxonomic research has specialized in tropical and temperate Basidiomycetes, for which he received a Science Research Council individual merit promotion, and he has published 16 books and over 300 scientific papers. He is a Fellow of the Linnean Society, London, of the Norwegian Academy of Science and Letters, and Centenary Fellow of the British Mycological Society. He has held visiting professorships at the Institute of Terrestrial Ecology, Lodz, Poland, the Instituto do Botanica, Sao Paulo, Brazil, and the University of Jilin, China.David Freedberg is Professor in the History of Art at Columbia University, New York, and Director of the Italian Academy for Advanced Studies. He has written extensively on the art and culture of the seventeenth century, including the intersection of art and science in the age of Galileo, most notably in The Eye of the Lynx (Chicago, 2002).

  • By (author) David Freedberg
  • By (author) Andrew C Scott