Formenwelt des Dialogs

Contributions by Dirk Baecker Contributions by Andreas Becker Contributions by Jens Birkmeyer Contributions by Thomas Combrink Contributions by Georges Didi-Huberman Contributions by Jean-Pierre Dubost Contributions by Julia Haugeneder Contributions by Michael Jennings Contributions by Lisa Kammann Contributions by Vincent Pauval Contributions by Valentin Mertes Contributions by Nils Plath Contributions by Barbara Potthast Contributions by Edgar Reitz Contributions by Rolf G. Renner Contributions by Christian Schulte Contributions by Stefanie Schmitt Contributions by Winfried Siebers Contributions by Ulrike Sprenger Contributions by Bernard Stiegler Contributions by Rainer Stollmann Contributions by Matthias Uecker Contributions by Dorothea Walzer Contributions by Beata Wiggen Contributions by Florian Wobser Contributions by Alexander Kluge Edited by Christian Schulte Edited by Winfried Siebers Edited by Valentin Mertes Edited by Stefanie Schmitt

Book cover: Formenwelt des Dialogs

Extent: 397 pages

Publisher: V&R unipress

Subjects: German Studies, Literary Studies

Series: Alexander Kluge - Jahrbuch

Language: German

Paperback (Published)

(September 2016)

ISBN: 9783847106364

6.1 x 9.13 inches

Price: $50.00

On back order

Alexander Kluges’ multimedia work in film, television, theory and literature can be understood as a model case of self-reflective authorship. This is created by a specific gestus expressed by citing external materials – torn from their original context – exposed as discernible fragments. Homogeneous compilations of works are deconstructed, the exploded pieces of material transferred into open, spacious mosaic-like montages. This volume investigates Kluges’ aesthetic method as an intermediate exercise for drafting a model of communicational publicness.


Alexander Kluges multimediales Werk (Film, Fernsehen, Theorie und Literatur) kann als Modellfall einer selbstreflexiven Autorschaft begriffen werden. Diese entsteht durch einen spezifischen Gestus der Zitation fremder Materialien, die – aus ihrem ursprunglichen Kontext herausgerissen – als erkennbare Fragmente ausgestellt werden. Homogene Werkzusammenhange werden dekonstruiert, die herausgesprengten Materialien in offene, weitraumige Montagezusammenhange transferiert. Der Band untersucht Kluges asthetische Verfahren als eine intermediale Praxis, die ein Modell kommunizierender Offentlichkeit entwirft.

  • Contributions by Dirk Baecker
  • Contributions by Andreas Becker
  • Contributions by Jens Birkmeyer
  • Contributions by Thomas Combrink
  • Contributions by Georges Didi-Huberman
  • Contributions by Jean-Pierre Dubost
  • Contributions by Julia Haugeneder
  • Contributions by Michael Jennings
  • Contributions by Lisa Kammann
  • Contributions by Vincent Pauval
  • Contributions by Valentin Mertes
  • Contributions by Nils Plath
  • Contributions by Barbara Potthast
  • Contributions by Edgar Reitz
  • Contributions by Rolf G. Renner
  • Contributions by Christian Schulte
  • Contributions by Stefanie Schmitt
  • Contributions by Winfried Siebers
  • Contributions by Ulrike Sprenger
  • Contributions by Bernard Stiegler
  • Contributions by Rainer Stollmann
  • Contributions by Matthias Uecker
  • Contributions by Dorothea Walzer
  • Contributions by Beata Wiggen
  • Contributions by Florian Wobser
  • Contributions by Alexander Kluge
  • Edited by Christian Schulte
  • Edited by Winfried Siebers
  • Edited by Valentin Mertes
  • Edited by Stefanie Schmitt