Film / Bild / Emotion
Film und Kunstgeschichte im postkinematografischen Zeitalter
edited by Marcus Stiglegger and Christoph Wagner
Hardback (Published)
(September 2021)
ISBN: 9783786128359
7.13 x 9.8 inches
Price: $91.00
On back order
English summary: The merging of the viewer with the cinematic world, his immersion in fiction, places special demands on descriptive and analytical categories. This applies to films, TV series, internet formats, video clips, video art and installations. How do moving images generate emotions in their viewers and what cinematographic means are used to capture emotions on the screen? This volume presents new approaches from the interplay of film studies and art history, film and psychoanalysis, as well as classical and post-cinematography, from the early days of the medium to the most current trends. German description: Das Verschmelzen des Betrachters mit der filmischen Welt, sein Eintauchen in die Fiktion, stellt besondere Anforderungen an Beschreibungs- und Analysekategorien. Das gilt fur Filme, Serien, Internetformate, Videoclips, Videokunst und Installationen. Wie erzeugen bewegte Bilder Emotionen bei ihren Betrachtern und mit welchen filmischen Mitteln werden Emotionen auf die Leinwand gebannt? Der Band stellt neue Ansatze aus dem Spannungsfeld von Filmwissenschaft und Kunstgeschichte, Film- und Psychoanalyse sowie der klassischen und der Postkinematografie vor, von der Fruhzeit des Mediums bis hin zu aktuellsten Tendenzen.
English summary: The merging of the viewer with the cinematic world, his immersion in fiction, places special demands on descriptive and analytical categories. This applies to films, TV series, internet formats, video clips, video art and installations. How do moving images generate emotions in their viewers and what cinematographic means are used to capture emotions on the screen? This volume presents new approaches from the interplay of film studies and art history, film and psychoanalysis, as well as classical and post-cinematography, from the early days of the medium to the most current trends. German description: Das Verschmelzen des Betrachters mit der filmischen Welt, sein Eintauchen in die Fiktion, stellt besondere Anforderungen an Beschreibungs- und Analysekategorien. Das gilt fur Filme, Serien, Internetformate, Videoclips, Videokunst und Installationen. Wie erzeugen bewegte Bilder Emotionen bei ihren Betrachtern und mit welchen filmischen Mitteln werden Emotionen auf die Leinwand gebannt? Der Band stellt neue Ansatze aus dem Spannungsfeld von Filmwissenschaft und Kunstgeschichte, Film- und Psychoanalyse sowie der klassischen und der Postkinematografie vor, von der Fruhzeit des Mediums bis hin zu aktuellsten Tendenzen.
- By (author) Dirk Blothner
- By (author) Michael Braun
- By (author) Gerald Dagit
- By (author) Thomas Elsaesser
- By (author) Nina Gerlach
- By (author) Andreas Hamburger
- By (author) Toru Ito
- By (author) Susanne Kapesser
- By (author) Henry Keazor
- By (author) Marcus S. Kleiner
- By (author) Gertrud Koch
- By (author) Thomas Koeber
- By (author) Fabienne Liptay
- By (author) Michael Luthy
- By (author) Thomas Meder
- By (author) Lothar Mikos
- By (author) Jurgen Muller
- By (author) Kai Naumann
- By (author) Regine Prange
- By (author) Ivo Ritzer
- By (author) Lioba Schlosser
- By (author) Norbert Schmitz
- By (author) Gerhard Schneider
- By (author) Anke Steinborn
- By (author) Marcus Stiglegger
- By (author) Sara Troster Klemm
- By (author) Dario Vidojkovic
- By (author) Christoph Wagner
- By (author) Ralph Zwiebel
- Edited by Marcus Stiglegger
- Edited by Christoph Wagner
Other Titles in this Series
Johannes Itten und die alten Meister
Genese und historischer Kontext einer neuen Bildanalytik
Volume 8
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