Eric Ravilious
Memoir of an Artist
by Helen Binyon
Paperback (No longer our product)
(October 1995)
ISBN: 9780718829209
7.4 x 10.08 inches
Price: $45.00
In stock
A compelling and lavishly illustrated portrait of one of the foremost English artists of the inter-war period, who despite an early death on service as an Official War Artist, produced a substantial body of work in a variety of media.
Eric Ravilious was among the foremost of English artists to emerge between the wars – and one of the great original wood engravers. His body of work was wide-ranging and multi-faceted; in his relatively short career after he left the Royal College of Art he produced an extraordinary amount of work – murals, watercolours, wood engravings, lithographs, pottery designs for Wedgwood. Successful and enterprising as he was in these diverse fields, it was in the field of landscape painting in watercolour that Ravilious excelled. His tragic and untimely death in 1942, while on service as an Official War Artist, meant that his great promise was never fulfilled and it has been left to Helen Binyon to present this fascinating study of the artist to aworld largely unaware of his presence. The author knew Ravilious well from their student days and has been able to draw upon her intimate knowledge of this vivid and exciting artist to make this a compelling account of a genius.Eric Ravilious is introduced by Richard Morphet, former Keeper of Modern Art at the Tate Gallery, who places Ravilious in the context of modern-day appreciation of his work and describes the close relationship between Eric Ravilious and Helen Binyon, which led her to write this illuminating book.The book is lavishly illustrated with examples of Ravilious’s work from his student days to his powerfully realised drawings and paintings as an Official War Artist.
- By (author) Helen Binyon
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
