Die Wirklichkeit der Kunst
Das Realismus-Problem in der Kunstgeschichte der Nachkriegszeit
edited by Norbert Schneider and Alexandra Axtmann
Paperback (Published)
(November 2014)
ISBN: 9783847103875
6.06 x 9.02 inches
Price: $29.00
Out of stock
Realismus wurde fast immer mit einem kunsttheoretischen Modell assoziiert, das von Kunst eine kritische Referenz auf die gesellschaftlichen Verhaltnisse erwartet, wenn nicht gar engagierte Intervention. Dieser Band fragt nicht erneut, was Realismus eigentlich sei. Vielmehr eint die Autoren das historische Interesse an der Frage, welche Debatten in der Kunstgeschichte uber Realismus gefuhrt und an welchen Werken sie exemplifiziert wurden. Hochkonjunktur hatte die Thematik im Jahrzehnt nach 1968. Gefragt wird daher vorrangig, aus welchen Quellen sich die damaligen Forschungen und Manifeste speisten.
Realismus has almost always been associated with a model of art theory whose advocates are not content with the “art for art’s sake” aesthetic, but expect art to make critical reference to societal relations or even a committed intervention. The contributors to this volume certainly do not wish to re-open the issue of what realism actually is. Rather, they are united by an interest in the question what debates on realism have been conducted in the history of art and which works were taken to exemplify their claims. The issue reached its zenith in the decade after 1968. The most salient question is therefore which sources were used for research and for art manifestos during that period. The volume includes contributions from Alexandra Axtmann, Katharina Buttner-Kirschner, Reiner Diederich, Andrew Hemingway, Klaus Herding, Jost Hermand, Hans-Ernst Mittig, Jody Patterson, Alex Potts, John Roberts, Gisela Schirmer and Norbert Schneider.
- Edited by Alexandra Axtmann
- Edited by Norbert Schneider
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