Bruxelles, convergence des arts 1880-1914
Edited by Malou Haine Edited by Denis Laoureux Contributions by Paul Aron Contributions by Jennifer Beauloye Contributions by Jane Block Contributions by Laurence Brogniez Contributions by Sylvain Caron Contributions by Veronique Carpiaux Contributions by Francois de Medicis Contributions by Clement Dessy Contributions by Itzana Dobbelaere Contributions by Eszter Foldi Contributions by Vanessa Gemis Contributions by Noemie Goldman Contributions by Malou Haine Contributions by Denis Herlin Contributions by Florence Huybrechts Contributions by Philippe Kaenel Contributions by Denis Laoureux Contributions by Jean-Michel Nectoux Contributions by Jann Pasler Contributions by Hugo Rodriguez Contributions by Sandrine Thieffry Contributions by Roland Van der Hoeven Contributions by Didier Van Geit Contributions by Cecile Vanderpelen-Diagre
Paperback (Published)
(August 2013)
ISBN: 9782711624904
6.65 x 9.45 inches
Price: $46.00
Out of stock
The relationships between all forms of art characterizes the aesthetic renewal in Europe at the end of the century, and it is particularly representative in Bruxels. Although most studies have mainly focused on Paris, Berlin, London and Vienna, this collection of essays in cultural history shows how the Belgian capital city is a hist
The relationships between all forms of art characterizes the aesthetic renewal in Europe at the end of the century, and it is particularly representative in Brussels. Although most studies have mainly focused on Paris, Berlin, London and Vienna, this collection of essays in cultural history shows how the Belgian capital city is a historical agent in which artists and institutions found a convergence point at the heart of the European space.
- Edited by Malou Haine
- Edited by Denis Laoureux
- Contributions by Paul Aron
- Contributions by Jennifer Beauloye
- Contributions by Jane Block
- Contributions by Laurence Brogniez
- Contributions by Sylvain Caron
- Contributions by Veronique Carpiaux
- Contributions by Francois de Medicis
- Contributions by Clement Dessy
- Contributions by Itzana Dobbelaere
- Contributions by Eszter Foldi
- Contributions by Vanessa Gemis
- Contributions by Noemie Goldman
- Contributions by Malou Haine
- Contributions by Denis Herlin
- Contributions by Florence Huybrechts
- Contributions by Philippe Kaenel
- Contributions by Denis Laoureux
- Contributions by Jean-Michel Nectoux
- Contributions by Jann Pasler
- Contributions by Hugo Rodriguez
- Contributions by Sandrine Thieffry
- Contributions by Roland Van der Hoeven
- Contributions by Didier Van Geit
- Contributions by Cecile Vanderpelen-Diagre
Other Titles in this Series
Johann Sebastien Bach interprete des Evangiles de la Passion
Approche stylistique des Passions selon saint Jean et selon saint Matthieu
Memoires d’Hector Berlioz de 1803 a 1865 et ses voyages en Italie, en Allemagne, en Russie et en Angleterre ecrits par lui-meme
Musique, cinema, processus createur
Norman Mclaren et Maurice Blackburn David Cronenberg et Howard Shore
Le conservatoire national de musique et de declamation 1900-1930
Documents historiques et administratifs
Analyses et interpretations de la musique
La melodie du berger dans le Tristan et Isolde de Richard Wagner
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