The Emergence of Color Photography in Britain, 1906-1932

Exhibitions, Societies, and the Press

By (author) Janine Freeston

Book cover: The Emergence of Color Photography in Britain, 1906-1932

Extent: 160 pages

Publisher: Böhlau Verlag Wien

Subjects: Art & Art History

Series: Histories of Color Photography circa 1900

Language: English

Paperback (Forthcoming)

(November 2026)

ISBN: 9783205222972

6.69 x 9.49 inches

Price: $44.00

Interrogating the intersection of institutional archives and technical evolution, “Exhibitions, Societies, and the Press” reveals the collaborative and competitive socio-technical networks that catalyzed the birth of the color photography era in Britain.


“Exhibitions, Societies, and the Press” interrogates Britain’s color photography milieu (1906–1932). This inaugural volume in the Histories of Color Photography series deconstructs „heroic“ milestones to reveal the socio-technical synergies and creative networks catalyzing the medium’s emergence. Drawing on primary sources and museum collections, it traces the transition from chemical transparencies to tripack films through organizational relationships between color photographers.
A vital, rigorous reappraisal of the medium, destined for historians, curators, and photography enthusiasts.

Janine P Freeston MPhil, ARPS, Dip SIAD; is an Oxford based scholar, lecturer, and archivist specializing in early color photography in Great Britain. Alongside her photographic practice, Freeston researches the technological and litigious aspects of trichromatic photography up to 1930. Janine co-convenes a monthly Working Group Color Photography in the 19th Century and Early 20th Century: Sciences, Technologies, Empires, hosted by the Consortium for History of Science, Technology and Medicine, and coordinates annual research symposiums on behalf of the Royal Photographic Society’s Historical Group with Wolverhampton University; for academics, writers and collectors at any stage of their research.

  • By (author) Janine Freeston