Barbaric Splendour: The Use of Image Before and After Rome
Edited by Toby F. Martin Edited by Wendy Morrison
Paperback (Published)
(June 2020)
ISBN: 9781789696592
7.99 x 10.87 inches
Price: $49.00
In stock
This book comprises a collection of essays comparing late Iron Age and Early Medieval art. Fundamentally, the book asks what making images meant on the fringe of the expanding or contracting Roman empire, particularly as the art from both periods drew heavily from – but radically transformed – imperial imagery.
Barbaric Splendour: the use of image before and after Rome comprises a collection of essays comparing late Iron Age and Early Medieval art. Though this is an unconventional approach, there are obvious grounds for comparison. Images from both periods revel in complex compositions in which it is hard to distinguish figural elements from geometric patterns. Moreover, in both periods, images rarely stood alone and for their own sake. Instead, they decorated other forms of material culture, particularly items of personal adornment and weaponry. The key comparison, however, is the relationship of these images to those of Rome. Fundamentally, the book asks what making images meant on the fringe of an expanding or contracting empire, particularly as the art from both periods drew heavily from – but radically transformed – imperial imagery.
Preface Barbaric tendencies? Iron Age and early medieval art in comparison - Toby F. Martin In the eye of the dragon: how the ancient Celts viewed the world - Laurent Olivier Variations on a theme? Examining the repetition of patterns on British Iron Age art - Jody Joy Changing perspectives in southwest Norwegian Style I - Elna Siv Kristoffersen and Unn Pedersen Helmets and headaches: thoughts on the Staffordshire Hoard helmet - George Speake 'Magnificent was the cross of victory': the great gold cross from the Staffordshire Hoard - Chris Fern The materiality of faces - Charlotte Behr Insular numismatics: the relationship between ancient British and early Anglo-Saxon coins - Anna Gannon, Preface ;
Barbaric tendencies? Iron Age and early medieval art in comparison – Toby F. Martin Laurent Olivier Jody Joy Elna Siv Kristoffersen and Unn PedersenGeorge Speake Chris Fern Charlotte Behr Anna Gannon
- Edited by Toby F. Martin
- Edited by Wendy Morrison
‘Well-illustrated, full of new insights and breaking down barriers, this important publication is to be welcomed and, I am sure, will be used as a model for examining further types of material from these two periods of ‘barbaric splendour’ in the future.’ – Michael King (2022): Medieval Archaeology, 66/1, 2022
—
Similar Books
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Art and Mysticism in Silesia in the Baroque period
Angelus Silesius, Bernhard Rosa, and Michael Willmann
Volume 9
Beiträge zur Islamischen Kunst und Archäologie
The Arts and Archaeology of Funerary Cultures in Islam
Volume 10.0
Burgeoning European Print Trade
The Distribution of Prints via the Plantin-Moretus Press of Antwerp
Volume 19
Gender in Gandharan Art
Representations and Interactions in the Buddhist Context (1st-4th centuries CE)
Jheronimus Bosch, Conservation and Restoration
From Former Glory to Changing Appearances (Volume 1: Text, Volume 2: Images)
