American Counter/Publics
edited by Ulla Haselstein, Frank Kelleter, Alexander Starre and Birte Wege
Hardback (Published)
(January 2020)
ISBN: 9783825346614
5.28 x 8.27 inches
Price: $92.00
In stock
The “public sphere”-an idea with deep roots in the European enlightenment-has always been a contested concept in American culture and society. American intellectuals, artists, politicians, and activists have stressed the non-unitary, diversified, and oppositional dynamics of all things public. From the early days of the American republic, competing interest groups and commercial mass media (first newspapers, novels, and the theater, then radio, television, and the internet) have worked to pluralize public speech and public action-and ultimately the notion of “publicness” itself. This essay collection explores the public sphere in North America as a multi-agential, commercially embattled, highly mediated, and ultimately trans-nationalized aggregate of publics and counterpublics. The contributors present innovative theoretical and historical assessments of American counter/publics across an array of fields including social activism, political communication, literary discourse, and contemporary mass media.
- Edited by Ulla Haselstein
- Edited by Frank Kelleter
- Edited by Alexander Starre
- Edited by Birte Wege
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Transformationen des Labyrinthmythos in der zeitgenossischen amerikanischen Erzahlliteratur
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Zwischen Tradition und Innovation
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Framing Spaces in Motion
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Authentizitat und Inszenierung
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Volume 112
Time(s) of Lives
(Non-)Normative Temporalities, Age(ing), and Kinship Narratives in Contemporary U.S. American Culture
Volume 310
The American Revolution Remembered, 1830s to 1850s
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Differenz und Gesellschaft
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Cultural Criticism in Woman’s Experimental Writing
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Essays on American Literature and Culture from the Jacksonian Period to Postmodernity
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Writing during the Disasters
Modes of Rendering Suffering in Contemporary Experimental American Poetry
Volume 320
Violence and Open Spaces
The Subversion of Boundaries and the Transformation of the Western Genre
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