Exponat – Raum – Interaktion

Perspektiven für das Kuratieren digitaler Ausstellungen

Contributions by Udo Andraschke Contributions by Sylvia Asmus Contributions by Hendrikje Carius Contributions by Stephan Beck Contributions by Swantje Dogunke Contributions by Christian Eidloth Contributions by Guido Fackler Contributions by Mark Fichtner Contributions by Bernd Fröhlich Contributions by Jana Hawig Contributions by Stephanie Jacobs Contributions by Cassandra Kist Contributions by Alexander Kulik Contributions by André Kunert Contributions by Franziska Mucha Contributions by Michael Müller Contributions by Dennis Niewerth Contributions by Carsten Resch Contributions by Bastian Schlang Contributions by Stephan Schwan Contributions by Werner Schweibenz Contributions by Florian Sepp Contributions by Martin Siefkes Contributions by Julia Spohr Contributions by Lidia Westermann Contributions by Sebastian Fischer Edited by Hendrikje Carius Edited by Guido Fackler

Book cover: Exponat – Raum – Interaktion

Extent: 277 pages

Publisher: V&R unipress

Subjects: Book History, Conservation, & Museum Studies, Communications, Film, & Media Studies

Series: DH&CS

Language: German

Hardback (Published)

(February 2022)

ISBN: 9783847112587

6.3 x 9.33 inches

Price: $74.00

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Synopsis
Contributing Authors

Der Band bundelt die vielfaltigen, vor allem praxisorientierten Zugange, zu dem sich dynamisch entwickelnden Medium. Der Blick richtet sich dabei auf das Objekt und dessen Rolle, auf die spezifische Qualitat als digitales Exponat sowie die Potenziale multimedialer Ausstellungsgestaltung im digitalen Raum. Unter Einbezug von Erkenntnissen aus der musealen Publikumsforschung werden zudem die Erwartungen der Rezipienten im Digitalen sowie digitale Strategien und Vermittlungskonzepte bei digitalen Ausstellungen ausgelotet.

Digital exhibitions have been firmly established in archives, libraries, museums and research institutions as a way to present and communicate topics, digital exhibits and collections. Under the impression of fluid definitions and the specific conditions of institutions and exhibitions, digital exhibition practice ranges between approaches that are oriented towards the classical exhibition tradition or aim for a consistent new conception under the digital paradigm. This volume brings together the diverse, primarily practice-oriented, but also research-based and methodological approaches to this dynamically developing medium. The focus of attention will be on the object and its role as well as its specific quality as a digital exhibit and the potential of multimedia exhibition design in digital space. In addition, the expectations of recipients in the digital world as well as digital strategies and educational concepts for digital exhibitions will be explored, applying the results of the museum’s audience research. The volume is a contribution to interdisciplinary exchange in the field of digital exhibition curating.

Contributions by Udo Andraschke
Contributions by Sylvia Asmus
Contributions by Hendrikje Carius
Contributions by Stephan Beck
Contributions by Swantje Dogunke
Contributions by Christian Eidloth
Contributions by Guido Fackler
Contributions by Mark Fichtner
Contributions by Bernd Fröhlich
Contributions by Jana Hawig
Contributions by Stephanie Jacobs
Contributions by Cassandra Kist
Contributions by Alexander Kulik
Contributions by André Kunert
Contributions by Franziska Mucha
Contributions by Michael Müller
Contributions by Dennis Niewerth
Contributions by Carsten Resch
Contributions by Bastian Schlang
Contributions by Stephan Schwan
Contributions by Werner Schweibenz
Contributions by Florian Sepp
Contributions by Martin Siefkes
Contributions by Julia Spohr
Contributions by Lidia Westermann
Contributions by Sebastian Fischer
Edited by Hendrikje Carius
Edited by Guido Fackler

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