Re-Konstruktion des Realen

Die Wiederentdeckung des Realismus in der Romania

Contributions by Andrea Brondino Contributions by Tobias Berneiser Contributions by Gisela Febel Contributions by Jan Rhein Contributions by Wolfgang Asholt Contributions by Melanie Koch-Fröhlich Contributions by Berit Callsen Contributions by Filippo Gobbo Contributions by Fabian Scharf Contributions by Lara Toffoli Contributions by Dietrich Scholler Contributions by Julia Brühne Contributions by Christiane Conrad von Heydendorff Contributions by Cora Rok Contributions by Bastian Piejko Contributions by Lorenzo Marchese Contributions by Thomas Klinkert Contributions by Kirsten von Hagen Contributions by Christian Rivoletti Edited by Julia Brühne Edited by Christiane Conrad von Heydendorff Edited by Cora Rok

Book cover: Re-Konstruktion des Realen

Extent: 364 pages

Publisher: V&R unipress

Subjects: Literary Studies, Music & Performing Arts

Language: German

Paperback (Published)

(December 2021)

ISBN: 9783847113522

6.1 x 9.06 inches

Price: $69.00

Out of stock

Die Beitrage dieses Bandes beschaftigen sich mit realistischen Werken (Literatur, Film, Serie) der letzten 25 Jahre in der Romania, wobei Aspekte im Mittelpunkt stehen, die sich an folgenden Fragestellungen orientieren: Inwieweit handelt es sich um engagierte Narrationen, lasst sich ein aufklarerisch-didaktischer Gestus erkennen? Welcher narrativen Instrumente bedienen sich die Werke, um Authentizitat zu vermitteln? Welche Wirkung entfalten literarische oder filmische Hybride aus Fiktion und Dokumentar, Journalismus, Reportage, Sachtext? Welche Funktion erfullen Intertextualitat, Inter- und Transmedialitat im Rahmen realistischen Schreibens? Gibt es Formen der Ich-Erzahlung, die als Authentizitatsmarker fungieren? Handelt es sich dabei um eine Wiederaufnahme alterer Realismen oder entsteht etwas vollig Neues?


The contributions of this anthology deal with realistic works of the past 25 years in Romance literature, film and series, with a focus on content-related and formal aspects that are based on the following questions: To what extent are the narratives engaged? Can an educational and didactic gesture be recognized? Which narrative instruments do the works use to convey authenticity? What effect do literary or cinematic hybrids of fiction and documentary, journalism, reportage, non-fiction have? What function do intertextuality, inter- and transmediality fulfill in the context of realistic writing? To what extent can the subject be rehabilitated? Are there (old and new) forms of “first-person narration” that act as markers of authenticity (writing between autobiography and autofiction, diary, etc.)? Can a paradigm shift be identified? Is it a resumption of older realisms or is something completely new emerging? Are there epoch-spanning characteristics of realistic writing?

  • Contributions by Andrea Brondino
  • Contributions by Tobias Berneiser
  • Contributions by Gisela Febel
  • Contributions by Jan Rhein
  • Contributions by Wolfgang Asholt
  • Contributions by Melanie Koch-Fröhlich
  • Contributions by Berit Callsen
  • Contributions by Filippo Gobbo
  • Contributions by Fabian Scharf
  • Contributions by Lara Toffoli
  • Contributions by Dietrich Scholler
  • Contributions by Julia Brühne
  • Contributions by Christiane Conrad von Heydendorff
  • Contributions by Cora Rok
  • Contributions by Bastian Piejko
  • Contributions by Lorenzo Marchese
  • Contributions by Thomas Klinkert
  • Contributions by Kirsten von Hagen
  • Contributions by Christian Rivoletti
  • Edited by Julia Brühne
  • Edited by Christiane Conrad von Heydendorff
  • Edited by Cora Rok