Ottonian Book Illumination
An Historical Study
This seminal work explains, historically and with a rich body of illustrations, the origins and monumentum of a magnificent movement of German art, and shows, through this powerful and expressive art, how religion and political ideology were intertwined in Ottonian culture from about 950 to 1050.
The seminal work, originally published in two seperate clothbound volumes, is now made available in a revised one-volume edition, both in hardback and in paperback. It brings to light an aesthic passage of European history which has never before received full-scale treatment in English. It explains, historically and with a rich body of illustrations, the origins and momentum of a magnificent movement of German art, and shows, through this powerful and expressive art, how religion and political ideaology were interwined in Ottonian culture from about 950 to 1050. Besides dealing with the great imperials books such as the Gospels of Otto III and the Pericopes Book of Henry II, as well as other splendid liturgical manuscripts, the author also writes with penetrating insight about the great art-loving bishops such as Egbert of Trier and Bernard of Hildesheim, whose aims ans personalitites are express in the books they commissioned. In addition, the most important art centres of the Ottonian Empire – Reichenau, Cologne, Fulda and Corvey – are discussed in detail.
Other Titles in this Series
Venetian Painting in the Fifteenth Century
Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna
Volume 36
The Splendor of the Word
Medieval and Renaissance Manuscripts at the New York Public Library
Volume 44
Manuscript Painting in Thirteenth-Century Flanders
Bruges, Ghent and the Circle of the Counts
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Renaissance Wedding
The Celebrations at Pesaro for the Marriage of Costanzo Sforza & Camilla Marzano d'Aragona (26 - 30 May 1475)
Volume 71
Bringing the Holy Land Home
The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece
Volume 3
North-European Panel Paintings
A Catalogue of Netherlandish and German Paintings before 1600 in English Churches and Colleges
Volume 6
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