Constructing Virtue and Vice
Femininity and Laughter in Courtly Society (ca. 1150–1300)
By (author) Olga V. Trokhimenko Series edited by Jutta Eming Series edited by Arthur Groos Series edited by Volker Mertens Series edited by Matthias Meyer Series edited by Ann Marie Rasmussen Series edited by Hans-Jochen Schiewer Series edited by Markus Stock
Hardback (Published)
(May 2014)
ISBN: 9783847101192
6.3 x 9.25 inches
Price: $74.00
On back order
The study examines textual representations of women’s laughter and smiling and their imagined connection to female virtue in a wide variety of discourses and contexts of the German Middle Ages, including medieval epic, ecclesiastical texts, conduct literature, lyric, and sculpture.
The study examines textual representations of women’s laughter and smiling and their imagined connection to female virtue in a wide variety of discourses and contexts of the German Middle Ages, including medieval epic, ecclesiastical texts, conduct literature, lyric, and sculpture. By engaging with the competing, and at times contradictory, views of female laughter, it reaffirms a disputatious nature of medieval culture, in which multiple views of femininity, sexuality, and virtue stood in a conflicting, yet productive, dialogue with one another. The society that emerges when one looks at medieval German texts is always ambivalent: it thrives on and enjoys talking about sensuality and eroticism, while being constrained by the conventions of polite behavior and the fear of sin; it relies on the ritual use of laughter, while marking it as a sign of lust and perdition. Women’s laughter thus offers an important way into understanding medieval views of gender because it combines physicality with shifting and conflicting cultural norms.
- By (author) Olga V. Trokhimenko
- Series edited by Jutta Eming
- Series edited by Arthur Groos
- Series edited by Volker Mertens
- Series edited by Matthias Meyer
- Series edited by Ann Marie Rasmussen
- Series edited by Hans-Jochen Schiewer
- Series edited by Markus Stock
"The author's prose is readable and her argumentation clear, and the book would serve well in a course of medieval German literature and society or gender in history." --Adam Oberlin, The Medieval Review, 15.08.46
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