L’esthetique de la musique

By (author) Carl Dahlhaus Translated by Charlotte Loriot Translated by Nathalie Lucas Translated by Elise Marrou Translated by Alain-Patrick Olivier Translated by Francesco Peri Translated by Nicolas Rialland Translated by Julien Farges Translated by Julien Labia Introduction by Julien Labia Afterword by Antonia Soulez

Extent: 212 pages

Publisher: Librairie Philosophique J. Vrin

Subjects: Philosophy

Series: Essais d'Art de de Philosophie - Poche

Language: French

Paperback (Published)

(November 2015)

ISBN: 9782711626601

Price: $17.00

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Synopsis
Contributing Authors

Premier livre publie par Carl Dahlhaus, L’Esthetique de la musique tente d’accorder deux objectifs. Il s’agit d’abord de proposer une introduction historiquement informee au vaste champ de la philosophie de la musique, qui soit capable d’etre a la fois concise et raffinee. Mais ce Musikwissenschaftler qui n’est pas encore alors l’auteur de l’Histoire de la musique au XIXe siecle ou de l’Idee de la musique absolue livre egalement une premiere demonstration de sa methode de travail sur la musique. Elle frappera le lecteur par sa densite philosophique et son gout pour la lecture problematisee de textes issus de differentes traditions musicographiques. Dahlhaus revendiquait volontiers son souci d’ecrire l’histoire en respectant un pluralisme qu’il voulait issu de l’oeuvre de Fernand Braudel. Au lecteur de juger si cette premiere Esthetique de la musique, sous la plume d’un auteur qu’on a parfois dit plus philosophe que musicologue (J.-J. Nattiez) parvient a en poser le cadre. La force de ce texte fondateur pour la musicographie dahlhausienne demeure, et les tout recents developpements de la philosophie de la musique rendent sa lecture imperative.

By (author) Carl Dahlhaus
Translated by Charlotte Loriot
Translated by Nathalie Lucas
Translated by Elise Marrou
Translated by Alain-Patrick Olivier
Translated by Francesco Peri
Translated by Nicolas Rialland
Translated by Julien Farges
Translated by Julien Labia
Introduction by Julien Labia
Afterword by Antonia Soulez

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