Studies in Byzantine and Serbian Medieval Art
by Zaga Gavrilovic
Paperback (Published)
(December 2001)
ISBN: 9781899828784
Price: $38.00
Out of stock
This book examines the interplay between art, theology, and culture in Byzantium, with a particular focus on Serbia’s unique artistic expressions influenced by Byzantine art and theology. The well-preserved church decorations in Serbia provide valuable insights into Byzantine art’s historical context.
In her study of the relationship between art and its theological, liturgical and literary background in Byzantium, Dr. Gavrilovic has devoted a great deal of attention to the medieval state of Serbia, where, in the process of a strong cultural influence, Byzantine art had taken deep root and was practised with much vigour and individuality. Serbia’s position on the north-western flank of the Empire, in the proximity of the city of Salonika, assured an uninterrupted contact with Byzantine masters in the artistic field. This was enhanced by the great building schemes and patronage of Serbian rulers and their allegiance to Orthodoxy, as well as by the particularly strong ties between the Serbian Church and Mount Athos. The good state of preservation of some of the vast church decoration programmes in Serbia contribute to a better understanding of art in Byzantium where the destruction through the centuries was more severe.
- By (author) Zaga Gavrilovic
Similar Books
A Late Antique Harrowing of Hell and Its Medieval Reception
Eusebius of Alexandria's Sermons 15 and 17 (CPG 5524; 5526) and their Latin Rewritings
Volume 99
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Tradition, Interpretation, and Change
Developments in the Liturgy of Medieval and Early Modern Ashkenaz
