Palmyrene Sarcophagi
By (author) Olympia Bobou By (author) Rubina Raja
While the funerary portraiture of Palmyra is rightly world-renowned, up to now, the corpus of sarcophagi from the ancient city has received relatively little attention as a cohesive group in their own right. Comprising sarcophagi, banqueting reliefs and founder reliefs, as well as sarcophagus reliefs, most of these objects share a common iconographic motif, that of the banquet, although other scenes, mostly drawn from the daily life of the city’s caravan leaders and their families, also appear. The emphasis on the banqueting scene in particular reveals the crucial importance of dining in ancient Palmyrene society: for the living, banquets were a marker of social standing and gave hosts a chance to honour the gods and offer an ephemeral benefaction to their fellow citizens, while for the dead, the banquet motif offered the opportunity for the entire family to be depicted together and showcase their wealth and sophistication, as well as their connections outside the city. This single corpus of material gathered through the Palmyra Portrait Project, is presented in this beautifully illustrated two-volume monograph. Through careful analysis of the portraits, and the costumes and attribute choices that appear in these images, the authors explore how the sarcophagi were used by Palmyrenes to project an image of local pride, while at the same time participating in the visual cultures of the Roman and Parthian Empires between which their city was situated.
- By (author) Olympia Bobou
- By (author) Rubina Raja
Other Titles in this Series
The Pal.M.A.I.S. Syro-Italian Joint Project
Selected Essays on the Southwest Quarter and the Peristyle Building of Palmyra in Memory of Prof. Maria Teresa Grassi
Volume 12
Excavating Palmyra
Harald Ingholt's Excavation Diaries: A Transcript, Translation, and Commentary
Volume 4
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Studies on Palmyrene Sculpture
A Translation of Harald Ingholt's Studier over Palmyrensk Skulptur
Volume 1
Similar Books
Drunk the Potion, No Whit Charmed
The Doctrine of Pure and Perfect Souls from Iamblichus to Damascius
Late Antique villae in the Balkans (3rd–7th c. AD): Current Research Questions and Perspectives
HAEMUS Companion to the Late Antique Balkans 1
Volume 4
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
After Life in Roman Paganism. L’Égypte des astrologues. Les Mages hellénisés
Introductions historiographiques
Volume 7
I Germani e l’Impero Romano. Storia e diritti
Saggi delle edizioni degli incontri 2024-2025
Volume 14
A Cornucopia for a Polymath: Studies in Archaeology, Architecture and Art History for John Burnett Mitchell
Art and Mysticism in Silesia in the Baroque Period
Angelus Silesius, Bernhard Rosa, and Michael Willmann
Beiträge zur Islamischen Kunst und Archäologie
The Arts and Archaeology of Funerary Cultures in Islam
Volume 10.0
But the Wise Shall Understand
Reuse of Prophecies, Chronotope, and Merging of Eschatological Horizons in Daniel 10-12
