Der Tassilo-Liutpirc-Kelch aus dem Stift Kremsmunster
Geschichte - Archaologie - Kunst
edited by Egon Wamers
Hardback (Published)
(September 2019)
ISBN: 9783795431877
8.27 x 10.98 inches
Price: $66.00
On back order
Kremsmunster Abbey houses one of the most precious liturgical vessels of the early Middle Ages: a lavishly decorated and magnificently inscribed communion chalice. This illustrated book provides for the first time a comprehensive descriptive and pictorial documentation of the chalice.
English summary: Kremsmunster Abbey houses one of the most valuable liturgical vessels of the Early Middle Ages: a lavishly decorated and inscribed Eucharistic chalice, which was donated by the Bavarian duke Tassilo III and his wife Liutpirc, a Longobard princess. Created about 1250 years ago in the Salzburg area, this unique work of art has been surrounded by splendour and mystery for centuries. Scholars regard the Tassilo-Liutpirc chalice as a symbol of the old Bavaria and a short-lived symbiosis of Mediterranean-insular post-antiquity. However, little was known about its creation, authenticity and original function. The message of the mysterious images and ornaments remained a mystery despite many efforts. This volume tries to solve this. As a result of a five-year research project, it is now possible for the first time to present a comprehensive descriptive, photographic and graphic documentation as well as detailed archaeometric and goldsmithing analyses using state-of-the-art technology. The historical environment and the artistic bloom of that time are illuminated against the background of the glorious rule of Tassilo and his scheming overthrow in 788 by Charlemagne. With detective-like meticulousness, the lost art treasures of Tassilo III are brought back to life and the enigmatic image program of the Tassilo Liutpirc chalice is decoded as an allegorical visualization of the celestial city. German description: Zu den herausragendsten Kunstdenkmalern des Alpenraumes gehort der Tassilokelch, der von Baiernherzog Tassilo III. und seiner Frau Liutpirc wohl 777 fur Stift Kremsmunster in Oberosterreich gestiftet wurde. Der Kelch ist namengebend geworden fur Kunst und Ornamentik einer Vielzahl von Goldschmiedearbeiten, vorwiegend aus archaologischen Befunden der 2. Halfte des 8. Jh.
- Edited by Egon Wamers
Other Titles in this Series
Prahistorische Grabfunde aus Frankfurt am Main
Eine Bestandsaufnahme von den Anfangen bis zum Zweiten Weltkrieg
Volume 31
Das fruhmittelalterliche Graberfeld von Frankfurt am Main-Harheim
Schriften des Archaologischen Museums Frankfurt am Main
Volume 30
Zum Wohle der Stadt? Erwerbungen 1933 – 1945
Systematische Provenienzforschung am Archaologischen Museum Frankfurt
Volume 29
Der romische Bestattungsplatz von Frankfurt am Main-Zeilsheim
Grabbau und Graber der provinzialen Oberschicht
Volume 26
814 Karl der Grosse 2014
Archaologische und historische Beitrage zu Pfalzen, Herrschaft und Recht um 800
Volume 27
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Behind the Scenes of Medieval Roofs
An Overview of the Roofing Systems of Italian Churches
Volume 90
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Linguistic and Cultural Dynamics in a Frontier Society
New Perspectives on Northeastern Bavaria and Western Bohemia in the Early Middle Ages
Volume 9
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
