Comic Art and Avant-Garde
Bill Watterson's 'Calvin and Hobbes' and the Art of American Newspaper Comic Strips
by Joy Katzmarzik
Hardback (Published)
(February 2019)
ISBN: 9783825368760
5.28 x 8.27 inches
Price: $58.00
On back order
This study explores the genre of newspaper comic strips through the lens of ‘Calvin and Hobbes’ by Bill Watterson. Published between 1985 and 1995, the series was translated into over thirty languages and continues its road of success around the world. Watterson’s popularly acclaimed series demonstrates his artistic intention for the genre of newspaper comics to go beyond light entertainment. In his short comic strips, he creates pieces of art which address universal concerns in a humorous way. The examination of Watterson’s comics is based on the historic evolution of newspaper comic strips and the general conventions of underlying artistic narrative and visual techniques in graphic representations. In ‘Calvin and Hobbes’, the comic strip artist makes use of these conventions but also transcends them to sketch a world in which postmodern ideas are reflected and parodied.
- By (author) Joy Katzmarzik
Other Titles in this Series
Beyond the ‘Imaginary Indian’
Zur Aushandlung von Stereotypen, kultureller Identitat & Perspektiven in/mit indigener Gegenwartsliteratur
Volume 171
Aesthetic Transgressions
Modernity, Liberalism, and the Function of Literature: Festschrift fur Winfried Fluck zum 60. Geburtstag
Volume 131
Provincializing the United States
Colonialism, Decolonization, and (Post)Colonial Governance in Transnational Perspective
Volume 248
Recollection, Memory and Imagination
Selected Autobiographical Novels of Vladimir Nabokov
Volume 132
Physicians of Culture
Healing Catharsis in the Fiction of Toni Morrison and the Philosophy of Friedrich Nietzsche
Volume 287
Walking in Deserts, Writing out of Wounds
Jewishness and Deconstruction in Paul Auster's Literary Work
Volume 155
The Chutneyfication of History
Salman Rushdie, Michael Ondaatje, Bharati Mukherjee and the Postcolonial Debate
Volume 95
Through the Bars of My Memory
Prison Life Writing and the Prison Movement of the 1970s and 1980s
Volume 319
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Tricks of the Medieval Trades
The Trinity Encyclopedia, a collection of 14th century English craft recipes
Venice Reimagined
The Resurgence of View Painting in Venice after the Fall of the Serenissima between 1797 and 1866
Women’s Legacies in Natural Studies, Health, and Liberal Arts
Proceedings of the Second Annual International Women in the Arts Conference
Volume 4
Writing in the Church of the Nativity in Bethlehem
Inscription and Graffiti in a Multilingual and Multigraphic Perspective
Volume 45
