AfriComics
An Anthology
by Manuel Kiala Afonso, Melvin Ochieng Otieno, Odile Uwera, Olivia Ngouoghe, Patrice Mballa Asse, Tala Gadir, Amy Igelenyah Tetteh, Baba Aminu Mustapha, Benjamin Monteil, Brian Humura, Cloud Chatanda, Ezechiel Tsidkenu Gbadamassi, Gloria Muluku Mbatu and Henok Brhanu, translated by Annette David
The African comics scene is as varied as the continent itself. In this anthology, artists from 14 sub-Saharan African countries draw a new world on the theme of “Decolonising”. The comics featured are: Unchained by Amy Igelenyah Tetteh, Ghana The Return by Baba Aminu Mustapha, Nigeria The Rubber Tree by Benjamin Monteil, Senegal The Cog by Brian Humura, Uganda Chitemo Rhino by Cloud Chatanda, Tanzania Decolonizer by Ezechiel Gbadamassi, Togo Bo Moko -United- by Gloria Muluku Mbatu, DR of Congo Pen City by Henok Brhanu, Ethiopia We for Us by Manuel Kiala Afonso, Angola USA by Melvin Ochieng, Kenya Nameless in Cape Coast by Odile Uwera, Rwanda The Summit by Olivia Ngouoghe, Ivory Coast Berlin 1884 by Patrice Mballa Asse, Cameroon What If…? by Tala Gadir, Sudan
- By (author) Manuel Kiala Afonso
- By (author) Patrice Mballa Asse
- By (author) Henok Brhanu
- By (author) Cloud Chatanda
- By (author) Tala Gadir
- By (author) Ezechiel Tsidkenu Gbadamassi
- By (author) Brian Humura
- By (author) Gloria Muluku Mbatu
- By (author) Benjamin Monteil
- By (author) Baba Aminu Mustapha
- By (author) Olivia Ngouoghe
- By (author) Melvin Ochieng Otieno
- By (author) Amy Igelenyah Tetteh
- By (author) Odile Uwera
- Translated by Annette David
Similar Books
Between Bones and Beliefs
Human-Bird Relations in Central and Northern Europe in the First Millennium AD
Volume 4
Engaged Languages and Literatures / Langues et Littératures engagées
Critical Views / Regards Critiques
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Writing of Women as Cultural Resistance
Deconstructing Memory Legacies in the Afro-Luso-Brazilian Atlantic
