In the Public Eye
The Budapest Opera House, the Audience and the Press, 1884-1918
By (author) Markian Prokopovych
Kulturpolitik und Theater
Die kontinentalen Imperien in Europa im Vergleich
Contributions by Richard S. Wortman Contributions by Alina Hinc Contributions by Birgit Kuch Contributions by Andras Gergely Contributions by Oksana Sarkisova Contributions by Jiri Staif Contributions by Hartwin Spenkuch Contributions by Ostap Sereda Contributions by Elisabeth Großegger Contributions by Isabel Röskau-Rydel Contributions by Adam Mestyan Contributions by Franz Leander Fillafer Contributions by Jutta Toelle Edited by Philipp Ther Series edited by Philipp Ther
Oper im Schaufenster
Die Berliner Opernbühnen in den 1950er Jahren als Orte nationaler kultureller Repräsentation
By (author) Fabian Bien
Werktreue
Was ist Werk, was Treue?
Contributions by Claus Spahn Contributions by Rainer Simon Contributions by Peter Konwitschny Contributions by Tatjana Gürbaca Contributions by Peter Gülke Contributions by Anselm Gerhard Contributions by Peter Mosimann Contributions by Christoph Loy Contributions by Hans-Joachim Hinrichsen Contributions by Wiebke Roloff Edited by Gerhard Brunner Edited by Sarah Zalfen
Staats-Opern?
Der Wandel von Staatlichkeit und die Opernkrisen in Berlin, London und Paris am Ende des 20. Jahrhunderts
By (author) Sarah Zalfen
Oper im Wandel der Gesellschaft
Kulturtransfers und Netzwerke des Musiktheaters im modernen Europa
Contributions by Karen Painter Contributions by Jeroen Gessel Contributions by Fabian Bien Contributions by Ostap Sereda Contributions by Philipp Ther Contributions by Annegret Fauser Contributions by Gerd Rienäcker Contributions by Adam Mestyan Contributions by Gesa Nieden Contributions by Vjera Katalinić Contributions by Peter Stachel Contributions by Markian Prokopovych Contributions by Sven Oliver Müller Contributions by Jutta Toelle Contributions by Sarah Zalfen Edited by Philipp Ther Edited by Gesa Nieden Edited by Sven Oliver Müller Edited by Jutta Toelle
Bühne der Stadt
Mailand und das Teatro alla Scala zwischen Risorgimento und Fin de Siècle
By (author) Jutta Toelle
Wie europäisch ist die Oper?
Die Geschichte des Musiktheaters als Zugang zu einer kulturellen Topographie Europas
Contributions by Arne Langer Contributions by Fotios Kaliampakos Contributions by Antonio Baldassarre Contributions by Gernot Gruber Contributions by Michael Walter Contributions by Gesa Nieden Contributions by Tatjana Markovic Contributions by Vjera Katalinić Contributions by Markian Prokopovych Contributions by Sven Oliver Müller Contributions by Jutta Toelle Edited by Philipp Ther Edited by Peter Stachel
Vom Grand Spectacle zur Great Season
