Die Vielfalt des Vervielfältigten
Bildgebende Verfahren in der Kunst der Neuzeit und ihre Produkte
Contributions by Federica Carta Contributions by Walter Cupperi Contributions by Luca Frepoli Contributions by Erin Hennessey Contributions by Thomas Hildenbrand Contributions by Paul Hofmann Contributions by Konrad Krčal Contributions by Thomas Ketelsen Contributions by Wolfram Kloppmann Contributions by Maximilian Kummer Contributions by Aleksandra Lipinska Contributions by Karina Pawlow Contributions by Jan Friedrich Richter Contributions by Joanna Sikorska Edited by Magdalena Bushart Edited by Livia Cárdenas Edited by Andreas Huth Series edited by Magdalena Bushart Series edited by Henrike Haug
superficies
Oberflächengestaltungen von Bildwerken in Mittelalter und Früher Neuzeit
Contributions by Magdalena Bushart Contributions by Andreas Huth Contributions by Hans Körner Contributions by Johannes Myssok Contributions by Carina A.E. Weißmann Contributions by Doris Carl Contributions by Helen Boeßenecker Contributions by Sven Jakstat Contributions by Lars Zieke Contributions by Dieter Köcher Contributions by Sarah Nienas Contributions by Katharina Christa Schüppel Edited by Magdalena Bushart Edited by Andreas Huth
imitatio – artificium
Goldschmiedekunst und Naturbetrachtung im 16. Jahrhundert
By (author) Henrike Haug Series edited by Magdalena Bushart Series edited by Henrike Haug
Geteilte Arbeit
Praktiken künstlerischer Kooperation
Contributions by Hanna Baro Contributions by Birgitt Borkopp-Restle Contributions by Magdalena Bushart Contributions by Stefania Girometti Contributions by Henrike Haug Contributions by Sonja Hnilica Contributions by Jee-Hae Kim Contributions by Luigi Kurmann Contributions by Kirsten Maar Contributions by Rachel Mader Contributions by Fiona McGovern Contributions by Jan Mende Contributions by Tamara Tolnai Contributions by Liane Wilhelmus Edited by Magdalena Bushart Edited by Henrike Haug
Unzeitgemäße Techniken
Historische Narrative künstlerischer Verfahren
Contributions by Christian Berger Contributions by Magdalena Bushart Contributions by Oliver Caraco Contributions by Rachel Danford Contributions by Elisabeth Furtwängler Contributions by Henrike Haug Contributions by Andreas Huth Contributions by Olga Moskatova Contributions by Joanna Olchawa Contributions by Daniel Parello Contributions by Antonia Putzger Contributions by Anne Röhl Contributions by Stefanie Stallschus Contributions by Bettina Uppenkamp Edited by Magdalena Bushart Edited by Henrike Haug Edited by Stefanie Stallschus Series edited by Magdalena Bushart Series edited by Henrike Haug
Spur der Arbeit
Oberfläche und Werkprozess
Edited by Magdalena Bushart Edited by Henrike Haug Revised by Elena Mohr
formlos – formbar
Bronze als künstlerisches Material
Contributions by Veronica Wiegartz Contributions by Werner Schnell Contributions by Mariana Scheu Contributions by Johanna Olchawa Contributions by Christa Lichtenstern Contributions by Claudia Lehmann Contributions by Annegret Kehrbaum Contributions by Michael Cole Contributions by Dorothea Diemer Contributions by Edgar Lein Edited by Magdalena Bushart Edited by Henrike Haug
Technische Innovationen und künstlerisches Wissen in der Frühen Neuzeit
Contributions by Ulrike Müller-Hofstede Contributions by Iris Brahms Contributions by Anne Bloemacher Contributions by Juliane Fircks Contributions by Beate Fricke Contributions by Martin Hirsch Contributions by Ronny F. Schulz Contributions by Birgit Blass-Simmen Contributions by Laura Goldenbaum Contributions by Marco Collareta Contributions by Edgar Lein Edited by Magdalena Bushart Edited by Henrike Haug
