ROMARD

ROMARD is an annual peer-reviewed journal dedicated to the dissemination and discussion of bold interdisciplinary approaches, methodologies, and conceptualizations regarding the study of drama, performance, theatre, and theatricality from pre-modernity (500-1650). Additionally, ROMARD seeks work that expands the exploration of the dramatic impulses, theatrical phenomena, and performative material of the past, encompassing global cultures and histories. We invite full-length articles that challenge and/or re-examine established narratives, definitions, documentation, and ontologies concerning historical performance(s) and theatricality. Articles submitted may include—but are not limited to—archival research, historiographical analysis, literary criticism, performance theory, performance-as or performance-based research, historical dramaturgy, productions census, or efforts in translation of source materials.

Editors

Editor-in-Chief

Kyle A. Thomas, Missouri State University

Editorial Board

Sarah Jane Brazil, University of Geneva

Lofton L. Durham, Western Michigan University

Penelope Geng, Macalester College

Maura Giles-Watson, University of San Diego

Douglas W. Hayes, Lakehead University

Mary Hayes, University of Mississippi

Erika T. Lin, CUNY Graduate Center

Emily Mayne, Culver-Stockton College

Matthew Sergi, University of Toronto

Elizabeth E. Tavares, University of Alabama

Paul Whitfield White, Purdue University

Clare Wright, University of Kent

ISSN: 0098-647X (print), 2693-8472 (online)