Limoges Enamels
French Art in Medieval England with a Gazetteer of Limoges Finds
By (author) Marian Campbell
Paperback (Published)
(December 2025)
ISBN: 9781803278834
10.87 x 7.99 inches
Price: $35.00
In stock
This study explores the arrival and ultimate fate of vivid enamelled copperwork from Limoges in medieval England. Through archaeological finds and a detailed gazetteer, it reveals how these sacred objects were later defaced or concealed during the Reformation’s attack on religious imagery.
Limoges enamelling was a cultural phenomenon in medieval Europe. Limoges in Aquitaine was the most famous and successful centre of the craft from about 1150 onwards. Its craftsmen created enamels on copper, distinctive for their vivid blues and multi-coloured rosettes. This book investigates the presence of Limoges enamels in medieval England, which was an early market for them, following the marriage of King Henry II in 1152 to Eleanor of Aquitaine, a marriage which brought him Aquitaine, and with it Limoges. This pioneering survey of Limoges enamels in England focuses on what has been found – when and where. Some objects have been excavated by archaeologists, others found by chance or by metal detectorists. The Gazetteer is arranged by county of find-spot, and details the appearance, condition and provenance of surviving pieces. A new and quite separate story emerges from examining the particular damage sustained by numbers of enamels. Many pieces associated with the rituals of the Catholic church show deliberate mutilation. Corpus figures of Christ, once attached to crosses, show the most severe damage, missing hands and feet, or heads and limbs. Where find-spots are concerned, some pieces were found buried deep under church chancel floors or embedded inside church walls. Who might have placed them there and when? This strange pattern of concealment coupled with the troublingly consistent damage seems to provide evidence that these enamels were attacked by Protestant zealots in the 16th century Reformation, following the Tudor royal edicts of the 1530s, which classed many liturgical objects as ‘monuments of superstition and idolatry’.
List of Figures
Preface
Abbreviations
Limoges Enamels: French Art in Medieval England
Introduction
Enamels in England before AD c. 1150
Limoges and its medieval enamels
Physical condition of objects
Find spots and provenances
Specific find spots
Deliberate concealment and iconoclasm
Later history: English antiquaries and collectors of Limoges enamels
Work by Limoges craftsmen and their imitators in medieval England
Conclusion
Gazetteer of Limoges Enamels from Medieval England
Bedfordshire
Berkshire
Buckinghamshire
Cambridgeshire
Cheshire
Cumberland
Devon
Dorset
Durham
Essex
Gloucestershire
Hampshire
Herefordshire
Hertfordshire
Huntingdonshire
Kent
Leicestershire
Lincolnshire
London
London Private collections c. 1700-1840
Middlesex
Norfolk
Northamptonshire
Northumberland
Nottinghamshire
Oxfordshire
Rutland
Shropshire
Somerset
Staffordshire
Suffolk
Surrey
Sussex
Warwickshire
Westmorland
Wiltshire
Yorkshire
Appendix A: Excavated Limoges Objects
Appendix B: Opus Lemovicensis: ‘Work of Limoges’: Documentary References
Appendix C: Religious Houses and Cathedrals in England with Limoges Enamels
Bibliography
Image Credits
Index
- By (author) Marian Campbell
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